Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
Fry’s opinion that Holbein saw nothing of Henry’s real character.
The Althorp panel is almost identical in position and dress with the
original cartoon for the Whitehall wall-painting, and it is probable
that Holbein intended to use it as his model for the latter. It must
have been painted in 1537, before the wall-painting itself was begun, or
at least before the change in the position of the King’s head was
decided upon. It may be the portrait which in the inventory of Henry
VIII’s pictures, made at his death, was joined to that of Queen Jane
Seymour in a diptych—“Item, a table like a booke, with the picture of
Kynge Henry theight and Quene Jane”; though, if so, the corresponding
portrait of Jane Seymour is lost, for the one of that queen in the
Vienna Gallery is much larger than Lord Spencer’s portrait. The latter
was at South Kensington in 1862 (No. 2651), and again in 1865 (No.
2028), and at the Burlington Fine Arts Club, 1909 (No. 38).
Footnote 238:
_Burlington Magazine_, vol. xv., May 1909, p. 74.
There is an excellent contemporary copy of it in the National Portrait
Gallery (No. 157),[239] 10¾ in. × 7½ in., on copper, which was purchased
in 1863, and was formerly in the collection of Mr. Barrett, of Lee
Priory, Kent. When in his possession it was engraved in line for
Singer’s edition of Cavendish’s _Life of Wolsey_, 1825. The background
is now very dark, but in the engraving it is shown to be a curtain. This
is the chief point of difference between it and Lord Spencer’s panel.
There is also a somewhat weak copy of it among the miniatures in the
Duke of Buccleuch’s collection, which, like the original, has no
inscription. It has suffered extensive repairs at some time or other,
and the eyes are now a bright chestnut colour, evidently due to the
ignorance of the restorer. Other miniatures of Henry VIII, attributed to
Holbein, are dealt with in a succeeding chapter.[240]
Footnote 239:
Reproduced in the illustrated Catalogue, National Portrait Gallery,
vol. i. p. 23.
Footnote 240:
See pp. 233-236.
[Sidenote: PORTRAIT OF QUEEN JANE SEYMOUR]
Public-domain text, read in full here on John Shaqi.
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