There is no evidence to show that Holbein painted either Katherine’s daughter, Mary, or Anne’s daughter, Elizabeth, though here again portraits of them exist which in less critical days were said to be by him. The drawing in the Windsor Collection inscribed “The Lady Mary after Queen,”[243] has no claim to represent Queen Mary, nor is there any known portrait of her which bears any likeness to Holbein’s style of painting. The Princess Elizabeth was ten years old at the time of the painter’s death, whereas the youngest portrait of her extant is the very interesting one at the age of about fifteen or sixteen in the Royal Collection,[244] which was included in Charles I’s catalogue as “A Whitehall piece of Holben,” and said to represent “Queen Elizabeth when she was young, to the waist.” This is probably a work of Franco-Flemish origin, and has nothing to do with Holbein, who, if he had painted her, must have shown her as a little girl. Mr. Nichols, in his paper mentioned above, states that “there can be little doubt that Holbein drew the King’s natural son, Henry FitzRoy, Duke of Richmond and Suffolk, who lived until the 22nd July 1536,” but no such portrait or drawing of him can be discovered. There is, however, among the Windsor heads, a drawing of his wife, Mary,[245] daughter of Thomas, third Duke of Norfolk, and sister of Henry, Earl of Surrey, both of whom sat to Holbein. It is a fine drawing, but very badly rubbed. She is represented full-face, with the eyes cast down, and wearing a close-fitting white cap or hood, and a large flat black hat with a big ostrich feather. The dress is powdered with the letter R, which in some cases seems to be formed of pearls, while the letter M also occurs twice. This fashion of wearing an initial letter, usually as a pendant ornament, was by no means unusual at that period, and occurs in more than one of Holbein’s portraits. The drawing of the Duchess is inscribed “The Lady of Richmond.” Footnote 243: Woltmann, 331; Wornum, ii. 39; Holmes, ii. 15. Reproduced by Davies, p. 216. Footnote 244: Reproduced by Cust, _Royal Collection of Paintings, Windsor Castle_, Pl. 48. Footnote 245: Woltmann, 324; Wornum, ii. 17; Holmes, ii. 23.