All three pictures seem to have been based upon the same drawing in the Windsor Collection, in which the Prince is shown full-face, as a young child, with a close skull-cap, and a black cap with a feather above it, and a single frill round his neck.[348] This drawing has been badly rubbed. There is a second drawing in the same collection, also full-face, with hair cut closely across the forehead, and a plain black hat (Pl. 23).[349] This, too, has suffered considerable damage. The strong brush-work of the outlines stands out with undue emphasis, owing to the destruction of the more delicate modelling of the crayons. In this drawing the Prince appears to be at least a couple of years older than in the other drawing, or in the Hanover picture and its variants. He looks quite four or five years old. Mr. Wornum thought it might represent Henry Brandon, afterwards Duke of Suffolk, from its likeness to the boy in Holbein’s beautiful miniature, the proportions of the face not quite agreeing with those of the infant Prince;[350] but it is undoubtedly a portrait of the latter. Footnote 348: Woltmann, 326; Wornum, ii. 1; Holmes, not given. Footnote 349: Woltmann, 327; Wornum, ii. 2; Holmes, i. 2. Reproduced by Davies, p. 176; Knackfuss, fig. 146; Ganz, _Hdz. von H. H. dem Jüng._, 39. Footnote 350: Wornum, p. 407. There is a third drawing of Edward VI at Windsor, in which he seems to be quite six, if not older. It is one of the least pleasing of the series, and if by Holbein, must be almost the last drawing he made, as the Prince was but six when the painter died. He is shown in profile to the left, with hat and feather, and almost yellow hair.[351] Several portraits exist which are based on this drawing, though they are not by Holbein, among the best of them being the versions in the National Portrait Gallery,[352] the Victoria and Albert Museum,[353] and the collection of Lord Sackville. The last-named was at the Burlington Fine Arts Club in 1909 (No. 60). In this the Prince has golden hair, a black cap with a white plume, and a purple gown lined with white fur over a pale pink doublet. His right hand, raised, holds a rose, and his gloves are in his left. The background is a greenish blue. Footnote 351: Woltmann, 328; Wornum, ii. 3; Holmes, ii. 1. Reproduced in _Drawings of Hans Holbein_ (Newnes), Pl. ii. Footnote 352: Reproduced in the illustrated catalogue, National Portrait Gallery, vol. i. p. 27. Footnote 353: Jones Bequest.