Parthey, 1343. There is a second print by Hollar, of the same year, taken from a picture or drawing in the Arundel Collection, of a lady in profile to the right, wearing a flat black cap, which, it has been suggested, also represents Anne of Cleves (Parthey, 1545). The likeness is not very apparent, nor does the original appear to have been by Holbein, as Hollar states. It is reproduced by Dr. Ganz, _Holbein_, p. 198 (2). [Illustration: VOL. II., PLATE 24 ANNE OF CLEVES 1539 LOUVRE, PARIS ] [Sidenote: OTHER PORTRAITS OF ANNE OF CLEVES] There are several other portraits in existence which are said, with little authority, to represent Anne of Cleves; among them a drawing in the Windsor Collection,[393] which appears at one time to have become separated from the others. It came into the possession of Dr. Meade, and at his sale in 1755 was bought by Mr. Chetwynd. After the latter’s death it was restored by his executors to the royal collection. It bears little or no resemblance to the Louvre portrait, and is almost certainly a likeness of some English lady. She is shown full-face, with a close-fitting cap covering the ears, and a hat over it. The drawing has been damaged by having been cut out round the outline. The face is a refined one. There are notes in German as to the material and colours of the dress, and the pattern of the Spanish work on the collar is drawn in detail on the margin. It has no inscription. In the National Portrait Exhibition at South Kensington in 1865, a small head of “Anne of Cleves” was exhibited by the Earl of Derby. It was in oil on panel, oval, about 3 in. by 2½ in., and signed “H. H.” It had been injured, and was then in a somewhat dirty condition; the face had considerable likeness to the Louvre picture.[394] Footnote 393: Woltmann, 357; Wornum, not included; Holmes, ii. 2. Footnote 394: Wornum, p. 330, note.