Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
In the summer of 1540 Holbein lost another of his English patrons. Henry
formally divorced Anne of Cleves on the 12th of July, and on the 28th of
the same month Thomas Cromwell, then Earl of Essex, who had been a good
friend to the painter, was beheaded for high treason, after a period of
eight years during which his influence with both King and Parliament had
been paramount. During the same month Henry privately married Catherine,
daughter of Lord Edmund Howard, a cousin of Anne Boleyn, and niece of
Thomas, third Duke of Norfolk. By this marriage the Howards, and through
them the Catholic party, regained that ascendancy in the councils of the
King which had received a severe check at the fall of Anne Boleyn; and
at least three members of this family were painted by Holbein. The new
Queen was publicly acknowledged on August 8 at Hampton Court Palace.
[Sidenote: MINIATURES OF CATHERINE HOWARD]
Although it was to be supposed that Henry would employ Holbein to paint
the portrait of his new queen, until quite recently the only known
likeness of her from his brush was the miniature portrait in the royal
collection at Windsor Castle, and the replica of it belonging to the
Duke of Buccleuch. In 1909, however, the discovery was made by Mr.
Lionel Cust of a genuine and very beautiful portrait of this Queen. In
the Windsor miniature (Pl. 31 (4)),[407] which shows her in a similar
position to the one in the newly-discovered picture, she is represented
nearly to the waist, turned to the left, her hands folded in front of
her, the left over the right. Her hair and eyes are brown, and she wears
a circular hood of the then fashionable French pattern, with a fall of
black velvet. Her square-cut bodice is of dark cloth of gold, with
sleeves of grey-green silk embroidered with gold, and white ruffles with
black embroidery. Round her neck, over the white cambric filling of the
dress, falls an elaborate necklace of pearls, rubies, and sapphires. The
background, which is bright blue, has no inscription. It is painted on
the back of a playing card, the eight of diamonds, and is 2⅓ inches in
diameter. The hands, and the lower part of the arms, are badly painted,
and appear to be a later addition.
Footnote 407:
Woltmann, 271. Reproduced by Law, Pl. vii.; Knackfuss, fig. 132;
Williamson, _History of Portrait Miniatures_, Pl. ii. No. 2; Pollard,
_Henry VIII_, p. 245; Ganz, _Holbein_, p. 149 (4), and Cust,
_Burlington Magazine_, July 1910, p. 195.
Public-domain text, read in full here on John Shaqi.
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