Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
The background is green, and across the top of the panel runs the
inscription: “THOMAS · DVKE · OFF · NORFOLK · MARSHALL · AND TRESVRER
OFF · INGLONDE THE · LXVI YERE · OF · HIS · AGE.” It is now almost
illegible, through the passage of time and over-painting, but can be
deciphered by the aid of the exactly similar inscription on the Arundel
picture. This, as already stated, gives the date of the portrait as
about 1540. The inscription, however, is not contemporary, but was
probably added some hundred years later, in the reign of Charles I, when
the picture was in the collection of the Earl of Arundel. It was finely
etched by Vorsterman when in the Earl’s possession, in 1630, though
without the inscription, but beneath the plate is engraved: “Hans
Holbein pinxit. Visitur in Ædibus Arondelianis Londini.” This does not
necessarily prove that the inscription on the panel did not exist at
that date, as Vorsterman may have omitted it as disfiguring. That it was
certainly there fifteen years later is proved by a coloured drawing on
vellum by Philip Fruytiers, the Antwerp painter, dated 1645, a copy of a
study by Van Dyck representing a large group of Thomas Howard, Earl of
Arundel, his wife, and family. On the wall in the background Van Dyck
had inserted, and Fruytiers has copied, on the one side, this very
portrait of the Duke of Norfolk by Holbein, in which the inscription
across the top of it in gold letters can be plainly seen, and on the
other side the portrait of his son, the Earl of Surrey, also evidently a
work by Holbein, though the original painting is now lost, which is
inscribed: “HENRY HOWARD ERLE OF SUHRY ANNO ÆTATIS SVÆ 25.” This
water-colour drawing, which is signed “An. Vandyke inv. Ph. Fruytiers
fecit 1645,” is in the collection of the Duke of Sutherland, and there
is a small copy of it in oils on copper at Norfolk House, which also
shows the inscription. It was engraved by Vertue in 1743. The original
sketch or composition by Van Dyck has been lost.
[Illustration:
VOL. II., PLATE 25
THOMAS HOWARD, DUKE OF NORFOLK
WINDSOR CASTLE
]
[Sidenote: PORTRAIT OF THOMAS HOWARD]
Public-domain text, read in full here on John Shaqi.
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