Hans Holbein the Younger, Volume 2 (of 2)Chamberlain, Arthur B. (Arthur Bensley)
History
Hans Holbein the Younger, Volume 2 (of 2)
Chamberlain, Arthur B. (Arthur Bensley)
Holbein, Hans, 1497-1543 -- Criticism and interpretation; Painters -- Germany -- Biography
To the year 1542 belongs the small portrait of an unknown Englishman in
the Hague Gallery (No. 277) (Pl. 28),[432] which, again, is brilliant in
execution, the details painted with the minutest care, but with a touch
both delicate and free from all hardness, and unusual richness of
colour. The head is full-face, the body turned slightly to the left. His
closely cropped hair is chestnut in colour, turning to red at the ends
of his moustache and short pointed beard. It is almost the only portrait
by Holbein in which the sitter is shown without a hat. He wears a dress
of black velvet and watered silk with a pattern, slashed with red silk
at the shoulder and wrist. On his left hand, which is gloved, stands his
falcon, a large bell on its claw. His right hand, in which he holds the
bird’s hood, is ungloved, with a gold ring set with a stone on the
little finger. The light falls from the right, and the shadow on the
left side of the face is more strongly marked than in most of Holbein’s
portraits. The modelling is fine, the face full of strong character,
and, as usual, the hands are most expressively painted, the whole
presentment being most vivid and life-like. The background is a plain
blue-grey, of much the same tone as that in the portrait of 1541 at
Vienna. Across the panel is inscribed, on either side of the head, the
date 1542, and lower down “ANNO · ETATIS · SVÆ · XXVIII.” Little is
known about the history of this picture, except that it was at one time
in the royal collections of England, and that it was taken to Holland by
William III, and was included in the list of works of art reclaimed by
Queen Anne after that King’s death.[433] Like the portrait of Cheseman,
however, it remained abroad. It is inscribed on the back “The manner of
Holbein,” and in old catalogues was absurdly described as a portrait of
Sir Thomas More.
Footnote 432:
Woltmann, 160. Reproduced by Mantz, p. 171; Ganz, _Holbein_, p. 129.
Footnote 433:
No. 21. “A man’s head with a hawk by Holbein.”
[Illustration:
VOL. II., PLATE 28
PORTRAIT OF AN UNKNOWN MAN WITH A FALCON
1542
ROYAL PICTURE GALLERY, MAURITSHUIS, THE HAGUE
]
[Sidenote: UNDATED PORTRAITS OF LAST YEARS]
Public-domain text, read in full here on John Shaqi.
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