ETATIS SVÆ XVII.” In appearance she is stolid and unattractive, but this may be partly due to the present state of the picture. Footnote 456: Woltmann, 22. Reproduced by Ganz, _Holbein_, p. 141. Footnote 457: Woltmann, 260. Reproduced by Ganz, _Holbein_, p. 144. There remains one other portrait of a lady of about this date—that of Lady Rich,[458] which until 1912 had been for many years in the possession of the Moseley family at Buildwas Park, Shropshire. The sitter is represented to the waist, slightly turned to the right, and wears the English diamond-shaped hood with black fall, and a black dress with a gold medallion decorated with the figures of a man and woman by a corpse, which, according to Wornum, are “exquisitely put in.”[459] According to the same writer, it is “a fine expressive portrait, with a thin rich carnation.” It is painted on wood, 17 in. by 13 in., and has suffered some retouching. The face is a most determined one, as can be seen from the fine preliminary drawing in the Windsor Castle Collection.[460] Lady Rich was the daughter and heiress of William Jenks or Gynkes, a rich London grocer, and she married, in 1535, Lord Chancellor Rich, of notorious memory, who helped to ruin many of the prominent men of his day, such as More and Fisher. In the seventeenth century the portrait became the property of the Rev. Herbert Croft, Bishop of Hereford, whose granddaughter, Elizabeth Croft, married Acton Moseley, of Staffordshire. In 1792 the portrait, with some other pictures, was bequeathed by Sir Archer Croft to his cousin, Mr. Walter Michael Moseley. The latter’s descendant, Captain H. R. Moseley, parted with the picture in 1912, and it is now in an American collection.[461] It was last exhibited at the National Portrait Exhibition at South Kensington in 1866 as a portrait of “Queen Katherine of Arragon.” There is also a drawing of her husband, Richard Rich,[462] at Windsor, and Holbein must almost certainly have painted his portrait, but all traces of it have been lost. A version of it was among the pictures destroyed by fire at Knepp Castle in 1904. Footnote 458: Woltmann, 128. Footnote 459: Wornum, p. 296. Footnote 460: Woltmann, 319; Wornum, ii. 37; Holmes, ii. 10. Footnote 461: For a fuller history of the picture, see an article in _The Morning Post_, May 23rd, 1912. Footnote 462: Woltmann, 318; Wornum, i. 8; Holmes, ii. 9. [Sidenote: HOLBEIN’S SELF-PORTRAITS]