The gateway was pulled down in 1759 in order to widen Parliament Street. The materials were obtained by the Duke of Cumberland, Ranger of Windsor Park, with the intention of re-erecting the gate at the end of the Long Walk. In the end, however, they were worked up in several buildings the Duke built in the park. Two of the medallions were put in front of the park lodges, but most of them appear to have been stolen when the gateway was pulled down. Three of them eventually came into the possession of a coachbuilder named Wright, who, in 1769, employed John Flaxman, the sculptor, then a boy, to repair them. They were in terra-cotta, coloured and gilt, and the ornaments included the rose and crown and the King’s initials. Wright had them removed to Hatfield Priory, Essex, where they were still to be seen in 1803, in which year J. T. Smith went down there to copy them. They were larger than life, and were said to be representations of Henry VII, Henry VIII when sixteen, and Bishop Fisher. The two which decorated the front of the park lodges were afterwards removed to Hampton Court, where, says Allan Cunningham, “they are made to do duty as two of the Roman emperors described by Hentzner in his _Travels_.” It seems probable that they were the work of Giovanni da Maiano. In its design there is nothing to suggest that Holbein was the architect of this famous gateway, and it is much more probable that one of the Italians employed by the King was responsible for it; and the legend which connects Holbein with it may have arisen from the fact that he had rooms in Whitehall, possibly in the very gateway to which his name has been so long attached. It contained, says Dallaway, “several apartments, but the most remarkable was the ‘little study, called the New Library,’ in which Holbein was accustomed to employ himself in his art, and the courtiers to sit for their portraits.”[615] Footnote 615: Dallaway, notes to Walpole’s _Anecdotes_, ed. Wornum, p. 133. [Sidenote: THE PORCH AT WILTON]