Angliae.—Opus celeberrimi artificis Johannis Holbieni pictoris Regis Henrici VIII.” Footnote 181: See _Rivista d’Arte_, vi. 5, 6, 1909. [Illustration: VOL. II., PLATE 16 SIR RICHARD SOUTHWELL 1536 UFFIZI GALLERY, FLORENCE ] [Sidenote: PORTRAIT OF SIR RICHARD SOUTHWELL] The replica in the Louvre (No. 2719)[182] corresponds in all its details with the Florence picture, and appears to be only a good old copy. It has on the back the seal of the Newton family, and was brought by Napoleon from Germany in 1806. Another copy was lent to the National Portrait Exhibition at South Kensington, 1866, by Mr. H. E. Chetwynd Stapylton. A portrait of Southwell, apparently based on Holbein’s picture, was lent to the Tudor Exhibition, 1890 (No. 217), by Mr. W. H. Romaine Walker. In this version Southwell’s coat of arms and the inscription “Copley Stili” are on the right-hand side of the background, and on the left “Richd. Southwell of Horsham St. Faith’s in Norfolk ÆT.95.” The age in this inscription is altogether wrong, for Southwell was fifty-seven at his death in 1561. Footnote 182: Reproduced by Ganz, _Holbein_, p. 218. Holbein’s study for the portrait is one of the most remarkable among the Windsor drawings.[183] The head and shoulders only are shown, but otherwise it is almost identical with the Uffizi panel; even the four black buttons which stand out against the white shirt are indicated in the same position as in the finished work. It is inscribed “[A]NNO ETTATIS SVÆ 33,” and bears the note in Holbein’s own handwriting, “die augen ein wenig gelbass” (the eyes a little yellowish). This study, which is about 16 in. × 11 in., is in excellent condition. Footnote 183: Woltmann, 304; Wornum, i. 20; Holmes, i. 34. Reproduced by Davies, p. 180; Ganz, _Hdz. von H. H. dem Jüng._, Pl. 37; _Drawings of Hans Holbein_, Pl. xlvi; and elsewhere.