The sun was setting, and its horizontal beams threw the dark shadow of
the prison-bars upon Schumacker’s woollen gown and Ethel’s crape dress,
as they sat by the high-arched casement, the old man in a great Gothic
chair, the young girl upon a stool at his feet. The prisoner seemed to
be brooding, in his favorite melancholy attitude. His bald, wrinkled
brow rested on his hand, and his face was hidden save for the long white
beard which hung down his breast in sad disorder.
“Father,” said Ethel, trying by every means to rouse him, “my lord and
father, I dreamed last night of a happy future. Look, dear father;
raise your eyes, and see that bright, cloudless sky.”
“I can only see the sky,” the old man replied, “through my prison-bars,
as I can only see your future, Ethel, through my misfortunes.”
Then his head, for an instant lifted, fell back upon his hands, and both
were silent.
“Father,” rejoined the young girl, a moment later, in a timid voice,
“are you thinking of Lord Ordener?”
“Ordener?” said the old man, as if striving to recall the name. “Ah, I
know whom you mean! What of him?”
“Do you think that he will soon return, father? He has been gone so
long!--this is the fourth day.”
The old man shook his head sadly.
“I think that when four years have passed, his return will be as close
at hand as it is to-day.”
Ethel turned pale.
“Heavens! Then you think that he will not come back?”
Schumacker made no answer. The young girl repeated her question in an
anxious and beseeching tone.
“Did he not promise to return?” said the old man, curtly.
“Yes, to be sure!” eagerly answered Ethel.
“Well, how can you reckon upon his coming, then? Is he not a man? I
believe that the vulture will return to a dead body, but I have no faith
in the return of spring when the year is on the wane.”
Ethel, seeing that her father had relapsed into his wonted melancholy,
took courage; the voice of her young and virginal soul proudly denied
the old man’s morbid philosophy.
“Father,” she said firmly, “Lord Ordener will return; he is not like
other men.”
“What do you know about it, girl?”
“What you know yourself, my lord and father.”
“I know nothing,” said the old man. “I heard words from a man, and they
promised the actions of a god.” Then he added, with a bitter smile: “I
have weighed them well, and I see that they are too beautiful to be
true.”
“And I, sir, believe them because they are so beautiful.”
“Oh, girl, if you were what you should be, Countess of Tönsberg and
Princess of Wollin, surrounded, as you would be, by a swarm of handsome
traitors and selfish adorers, such credulity would be most dangerous.”
“It is not credulity, my lord and father, but confidence.”
“It is easy to see, Ethel, that there is French blood in your veins.”
This idea led the old man, by an imperceptible transition, to a
different train of thought, and he added, with a certain complacency:--
Public-domain text, read in full here on John Shaqi.
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