Reader my tale is done! The spirits I have raised abandon me, and as
their shadows pass slowly and silently away, the scenes that we have
recounted seem like the fading phantoms of a dream.
Yet has custom made it a duty to give some brief account of those who
have played their parts in this our little drama. In the present case,
the intelligent reader, familiar with the history of Virginia, will
require our services but little.
History has relieved us of the duty of describing how bravely Thomas
Hansford met his early fate, and how by his purity of life, and his
calmness in death, he illustrated the noble sentiment of Corneile, that
the crime and not the gallows constitutes the shame.
History has told how William Berkeley, worn out by care and age, yielded
his high functions to a milder sway, and returned to England to receive
the reward of his rigour in his master's smile; and how that Charles
Stuart, who with all his faults was not a cruel man, repulsed the stern
old loyalist with a frown, and made his few remaining days dark and
bitter.
History has recorded the tender love of Berkeley for his wife, who long
mourned his death, and at length dried her widowed tears on the warm and
generous bosom of Philip Ludwell.
And lastly, history has recorded how the masculine nature of Sarah
Drummond, broken down with affliction and with poverty, knelt at the
throne of her king to receive from his justice the broad lands of her
husband, which had been confiscated by the uncompromising vengeance of
Sir William Berkeley.
Arthur Hutchinson, the victim of the treachery of his early friends,
returned to England, and deprived of the sympathy of all, and of the
companionship of Bernard, whose society had become essential to his
happiness, pined away in obscurity, and died of a broken heart.
Alfred Bernard, the treacherous friend, the heartless lover, the
remorseful fratricide, could no longer raise his eyes to the betrothed
mistress of his brother. He returned, with his patron, Sir William
Berkeley, to his native land; and in the retirement of the old man's
desolate home, he led a few years of deep remorse. Upon the death of his
patron, his active spirit became impatient of the seclusion in which he
had been buried, and true to his religion, if to naught else, he
engaged in one of the popish plots, so common in the reign of Charles
the Second, and at last met a rebel's fate.
Public-domain text, read in full here on John Shaqi.
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