But the completest tragedy has its compensations for some one. The
pitiable arrival of Mr. Levinski at "The Duke's Head," unrecognised and
with his fur coat slightly ruffled, might make a sceptic of the most
devout optimist, and yet Eustace Merrowby can never look back upon that
evening without a sigh of thankfulness; for to him it was the beginning
of his career. The story has often been told since--in about a dozen
weekly papers, half-a-dozen daily papers and three dozen provincial
papers--but it will always bear telling again.
There was no train to London that night, and Mr. Levinski had been
compelled to put up at "The Duke's Head." However, he had dined and was
feeling slightly better. He summoned the manager of the hotel.
"What does one do in this damn place?" he asked with a yawn.
The manager, instantly recognising that he was speaking to a member of
the aristocracy, made haste to reply. "Othello" was being played at the
town theatre. His daughter, who had already been three times, told him
that it was very sweet. He was sure his lordship....
Mr. Levinski dismissed him, and considered the point. He had to amuse
himself with something that evening, and the choice apparently lay
between "Othello" and the local Directory. He picked up the Directory.
By a lucky chance for Eustace Merrowby it was three years old. Mr.
Levinski put on his fur coat and went to see "Othello."
For some time he was as bored as he had expected to be, but halfway
through the Third Act he began to wake up. There was something in the
playing of the principal actor which moved him strangely. He looked at
his programme. "_Othello_--MR. EUSTACE MERROWBY." Mr. Levinski frowned
thoughtfully. "Merrowby," he said to himself. "I don't know the name,
but he's the man I want." He took out the gold pencil presented to him
by the Emperor--(the station-master had had a tie-pin)--and wrote a
note.
He was finishing breakfast next morning when Mr. Merrowby was announced.
"Ah, good morning," said Mr. Levinski, "good morning. You find me very
busy," and here he began to turn the pages of the Directory backwards
and forwards, "but I can give you a moment. What is it you want?"
"You asked me to call on you," said Eustace.
"Did I, did I?" He passed his hand across his brow with a noble gesture.
"I am so busy I forget. Ah, now I remember. I saw you play _Othello_
last night. You are the man I want. I am producing 'Oom Baas,' the great
South African drama, next April, at my theatre. Perhaps you know?"
"I have read about it in the papers," said Eustace. In all the papers
(he might have added) every day, for the last six months.
"Good. Then you may have heard that one of the scenes is an ostrich
farm. I want you to play 'Tommy.'"
"One of the ostriches?" asked Eustace.
Public-domain text, read in full here on John Shaqi.
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