England -- Pictorial works; Watercolor painting, British
[Illustration:
55. ON IDE HILL
_From the Drawing in the possession of Mr. E. W. Fordham._
Painted 1900.]
Ide Hill is to be found in Kent, on the south side of the Westerham
Valley, and the old cottage is the last survival of a type, every one
of which has given place to the newly built and commonplace.[13] The
view from hereabouts is very fine--so fine, indeed, that Miss Octavia
Hill has, for some time, been endeavouring, and at last with success,
to preserve a point for the use of the public whence the best
can be seen.
[Illustration:
56. A CHESHIRE COTTAGE, ALDERLEY EDGE
_From the Water-colour in the possession of Mr. A. S. Littlejohns._
Painted 1898.]
The almost invariable rule of the south, that cottages are formed out
of the local material that is nearest to hand, is clearly not practised
farther north, to judge by this example of a typical Cheshire cottage.
Stone is apparently so ready to hand that not only is the roadway paved
with it, but even the approach to the cottage, whilst the large blocks
seen elsewhere in the picture show that it is not limited in size. Yet
the only portion of the building that is constructed of stone, so far
as we can see, is the lean-to shed.
The cottage itself differs in many respects from those we have been
used to in Surrey and Sussex. The roof is utilised, in fact the level
of the first floor is on a line almost with its eaves, and a large bay
window in the centre, and one at the end, show that it is well lighted.
Heavy barge-boards are affixed to the gables, which is by no means
always the case down south, and the wooden framework has at one time
been blackened in consonance with a custom prevalent in Cheshire and
Lancashire, but which is probably only of comparatively recent date;
for gas-tar, which is used, was not invented a hundred years ago, and
there seems no sense in a preservative for oak beams which usually are
almost too hard to drive a nail into. The fashion is probably due to
the substitution of unseasoned timber for oak.
[Illustration:
57. THE SIX BELLS
_From the Water-colour in the possession of Mr. G. Wills._
Painted 1892.]
This beautiful old specimen of a timbered house was discovered by
Mrs. Allingham by accident when staying with some artistic friends at
Bearsted, in Kent, who were unaware of its existence. Although the
weather was very cold and the season late, she lost no time in painting
it, as its inmates said that it would be pulled down directly its
owner, an old lady of ninety-two, who was very ill, died. Having spent
a long day absorbed in putting down on paper its intricate details, she
went into the house for a little warmth and a cup of tea, only
to find a single fire, by which sat a labourer with his pot of warmed
ale on the hob. Asking whether she could not go to some other fire, she
was assured that nowhere else in the house could one be lit, as water
lay below all the floors, and a fire caused this to evaporate and fill
the rooms with steam.
Public-domain text, read in full here on John Shaqi.
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