England -- Pictorial works; Watercolor painting, British
As we have said, Mrs. Allingham alters her compositions as little as
possible when painting from Nature, but in this case she has omitted
a church tower that stood just to the right of the inn, and added the
tall trees behind it. The omission was due to a feeling that the house
itself was the point, and a quite sufficient point of interest, that
would only be lessened by a competing one. The addition of the trees
was made in order to give value to the grey of the house-side, which
would have been considerably diminished by a broad expanse of sky.
[Illustration:
58. A KENTISH FARMYARD
_From the Water-colour in the possession of Mr. Arthur R. Moro._
Painted 1900.]
Farmyards are out of fashion nowadays, and a Royal Water-Colour
Society's Exhibition, which in the days of Prout and William Hunt
probably contained a dozen of them, will now find place for a single
example only from the hand of Mr. Wilmot Pilsbury, who alone faithfully
records for us the range of straw-thatched buildings sheltering an
array of picturesque waggons and obsolete farming implements. But this
"stead" is just opposite to the farm in which Mrs. Allingham stays, and
it has often attracted her on damp days by its looking like "a blaze
of raw sienna." We can understand the tiled expanse of steep-pitched,
moss-covered roof affording her some of that material on which her
heart delights, and which she has felt it a duty to hand down to
posterity before it gives place to some corrugated iron structure which
must, ere long, supplant this old timber-built barn.
What was originally a study has been transformed by her, through the
human incidents, into a picture: the milkmaid carrying the laden
pail from the byre; the cock on the dunghill, seemingly amazed that
his wives are too busily engaged on its contents to admire him; the
lily-white ducks waddling to the pool to indulge in a drink, the gusto
of which seems to increase in proportion to the questionableness of its
quality.
CHAPTER VIII
GARDENS AND ORCHARDS
One is nearer God's heart in a garden Than anywhere else on earth.
Public-domain text, read in full here on John Shaqi.
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