England -- Pictorial works; Watercolor painting, British
Lord Tennyson's Isle of Wight home Mrs. Allingham did not see until
after she returned to live in London, when Mr. Hallam Tennyson, in
conversing with her about her drawings, told her that if she would
come to the Isle of Wight he could show her some fine old cottages.
She accordingly went at the Easter of 1890 to Freshwater, when he was
as good as his word, and she at once began drawings of "The Dairy"
and the cottage "At Pound Green." Miss Kate Greenaway, who had come
to stay with her, also painted them. The next spring, and many springs
afterwards, Mrs. Allingham went to Freshwater, generally after the
Easter holidays.
During one of these stays she accompanied Birket Foster to Farringford,
and the poet asked the two artists to come for a walk with him. There
happened to be a boy of the party in a sailor costume with a bright
blue collar and a scarlet cap, and Birket Foster, who was at the moment
walking behind with Mrs. Allingham, said, "Why is that red and blue so
disagreeable?" Tennyson's quick ear caught something, and he turned
on them, setting his stick firmly in the ground, and asked Mr. Foster
to explain himself. "Well," Mr. Foster said, "I only know that the
effect of the contrast is to make cold water run down my spine." Mrs.
Allingham cordially agreed with Mr. Birket Foster, but Tennyson could
not feel the "cold water," although he saw their point, and said it
was doubtless with painters as with himself in poetry, namely, that
some combinations of sound gave intense pleasure, whilst others grated,
and he quoted certain lines as being so to him. On another occasion,
whilst walking with him at Freshwater, he said something which led
Mrs. Allingham to mention that she generally kept her drawings by her
for a long time, often for years, working on them now and again and
considering about figures and incidents for them,[14] upon which he
remarked that it was the same in the case of poems, and that he used
generally to keep his by him, often in print, for a considerable time
before publishing.
* * * * *
The following drawings have been sufficiently described in the text:--
[Illustration:
70. THE HOUSE, FARRINGFORD
_From the Water-colour in the possession of Mr. John Mackinnon._
Painted 1890.]
[Illustration:
71. THE KITCHEN-GARDEN, FARRINGFORD
_From the Water-colour in the possession of Mrs. Combe._
Painted 1894.]
[Illustration:
72. THE DAIRY, FARRINGFORD
_From the Water-colour in the possession of Mr. Douglas Freshfield._
Painted 1890.]
[Illustration:
73. ONE OF LORD TENNYSON'S COTTAGES, FARRINGFORD
_From the Water-colour in the possession of Mr. E. Marsh Simpson._
Painted 1900.]
[Illustration:
74. A GARDEN IN OCTOBER, ALDWORTH
_From the Water-colour in the possession of Mr. F. Pennington._
Painted 1891.]
The next three water-colours find a place here, as having been painted
during visits to the Island.
Public-domain text, read in full here on John Shaqi.
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