England -- Pictorial works; Watercolor painting, British
Both, having determined to support themselves, were fain to seek
out the engravers and obtain from them a livelihood. Birket Foster
at sixteen was fortunate enough to meet in Landells one who at once
recognised his capabilities, whilst Mrs. Allingham found a similar
friend in Joseph Swain. Again, book illustration was as much in vogue
in 1870 as it was in 1842; and by another coincidence both years
witnessed the birth of an illustrated weekly, for Birket Foster, in
1842, was employed upon the infant _Illustrated London News_, while
Mrs. Allingham was the only lady to whom Mr. Thomas allotted some of
the early work on the _Graphic_. Differences there were in their
opportunities, and these were not always in the lady's favour. Birket
Foster found in Landells a man who looked after his youngster's
education, and, convinced that Nature was his best mistress, sent
him to her with these instructions: "Now that work is slack in these
summer months, spend them in the fields; take your colours and copy
every detail of the scene as carefully as possible, especially trees
and foreground plants, and come up to me once a month and show me what
you have done." A splendid memory aided Foster in his studies all too
well, for he learnt to draw with such absolute fidelity every detail
that he required, that he never again required to go to Nature. That he
did so we know from his repeated visits to every part of Europe--visits
resulting in delightful work; but what the world saw was entirely
studio work, and this tended to a repetition which oftentimes marred
the entire satisfaction that one otherwise derived from his drawings.
Mrs. Allingham herself, although living close to and engaged on the
same subjects, never came across him painting out of doors, and only
once saw him note-book in hand.
Public-domain text, read in full here on John Shaqi.
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