England -- Pictorial works; Watercolor painting, British
[9] I have been reminded by the artist that my first introduction
to her was at Trafalgar Square, Chelsea, whither I went to see the
products of this Shere visit, and that I came away with some of them in
my possession.
[10] Another tree at Hatfield also claims this distinction.
[11] See "In Wormley Wood" (Plate 46), in the description of which I
have referred to the reasons for the disappearance of thatch as a roof
material. An additional one to those there mentioned is without doubt
the risk of fire. Since the introduction of coal, chimneys clog much
more readily with soot, and a fire from one of these with its showers
of sparks may quickly set ablaze not only the cottage where this
happens, but the whole village. That the insurance companies, by their
higher premiums for thatch-covered houses, recognise a greater risk,
may or may not be proof of greater liability to conflagration, but we
certainly nowadays hear of much fewer of those disasters, which even
persons now living can remember, whereby whole villages were swept out
of existence.
[12] Do not these lines rather refer to gorse?
[13] Rightly perhaps, for the local doctor pleasantly inquired while
she was painting it, why she had selected a house that had had more
fever in it than any other in the parish.
[14] Mrs. Allingham's friends sometimes say to her, "You paint so
quickly." Her reply is, "Perhaps I make a quick beginning, but I take a
long time to finish." Which is the fact.
[15] When will the day come that editions of the books illustrated by
Birket Foster will attain to their proper value? The poets illustrated
by miserable process blocks find a sale, whilst these volumes, issued
in the middle of the last century, and containing the finest specimens
of the wood-cutting art, attract, if we may judge by the second-hand
book-sellers' catalogues, no purchasers even at a sum which is a
fraction of their original price.
[16] _Irish Songs and Poems_ (1887), p. 47.
[Transcriber's Note:
Plate images have been moved to the beginning of the text headers.
Inconsistent spelling and hyphenation are as in the original.]
Public-domain text, read in full here on John Shaqi.
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