When Dick mentioned the name o' Jack Whitman both o' Jabez' arms fell
to his side; an' when Dick spoke o' the Creole Belle his legs shut
together like a pocket knife; an' he crumpled down on a little padded
bench they had fixed up to kneel on. His face was gray, an' his eyes
had a scum over 'em, while his mouth hung open like the mouth of a man
dyin' of old age. Barbie gave a low, waverin' call: "Oh, what have you
done, oh, Dick! Daddy, Daddy; what's the matter Dad?"
She jumped to his side, an' after tearin' off her veil she knelt at his
feet; but he drew his hands feebly away, an' refused to touch her;
while a look of sorrow--sorrow an' pain an' shame, swept across his old
gray face, an' his lips trembled so 'at he couldn't talk.
I glanced at Silver Dick; he stood there with his lips set tight, his
eyes cold an' hard, an' I knew 'at he was ready to make his kill, cost
what it would.
"Oh, Daddy," pleaded Barbie, "don't look this way. Tell me what it is
all about. Don't turn away from me, Dad; I don't care what it is, or
whether it is true or false--I am ready to forgive you, an' to love
you. Look at me. Daddy. I care more for you than for any one else in
the whole world.
"Yes," she sez, standin' up an' flashin' a look into Dick's eyes as
fierce as they had ever shot themselves. "Yes, an' if you think to win
me by strikin' down my old Dad, why--we have both been mistaken, an' I
despise you!"
Silver looked as though she had struck him in the face with a whip; the
hot blood swept up to his hair, an' then left him ghastly white again;
while she put her hand on the ol' man's shoulder an' looked like an
eagle protectin' her brood. I looked around for Hawthorn, who had
become entirely forgotten. Gee! how I envied him his chance just then;
but there he stood, lookin' like a white rabbit bein' tried for murder.
The girl looked at him too, gave him one long scornful look; then she
looked back at Silver, standin' all alone like the statue of a king;
an' then she looked up at me. "Happy," she sez, "you never failed me
yet. Clear this room--clear it of every one but just ourselves."
"Clear the room," I yells. "Come, friends, this is the time to step
lively. You can go into the store-room an' dance if you want to, but
the weddin' has been postponed."
They filed out in good order, all except Dick, Friar Tuck, an'
Hawthorn. Hawthorn stood leanin' again the wall, lookin' at Dick as
though he was seein' a ghost. I tapped him on the shoulder. "Git!" I
sez, "your number didn't win nothin'." He gives a start, then down on
the floor he flops with his eyes turned in an' his mouth frothin' a
little. Friar Tuck straightened him out an' began to rub his hands; an'
I turned to Dick.
"Now, it's your turn to go," I sez. "I'd advise you to go clear to
England, where you'll find good news."
He came toward me as if he didn't see me, an' when he reached me he
said: "You better go along too, Happy. I want to talk to them alone."
Public-domain text, read in full here on John Shaqi.
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