Happy Pollyooly: The Rich Little Poor GirlJepson, Edgar
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Happy Pollyooly: The Rich Little Poor Girl
Jepson, Edgar
England -- Social life and customs -- 20th century -- Fiction; Girls -- Fiction
After lunch he had the prince carefully cleaned, and then set him in an
easy chair under his eye, to await the coming of his august sire, who
would arrive about a quarter to three. Then he walked up and down the
room working out the most effective presentation of his indictment of
Pollyooly and the social entanglement. At intervals he gesticulated
and muttered a phrase. He was making excellent progress with it and at
five and twenty minutes to three he was at the end of it. The prince
sat stolidly in the easy chair by the long windows. At twenty-four
minutes to three the baron flung out the last damning phrase (with the
appropriate splendid gesture) at his image in the looking-glass over
the mantelpiece. Then he turned to beam triumphantly on his little
charge. The easy chair was empty; the prince had gone.
With language far less sonorous, but more staccato, the baron bounced
to the window, just in time to see his little charge disappear swiftly
over the edge of the sea-wall fifty yards away. Unfortunately the
baron wore his hair too short to be able to tear handfuls of it from
his head, or he would have bereft himself of a handful or two. But
everything that language could do to ease him, language did. He must
be at home to receive his august master: etiquette demanded it
imperatively. He had no time to recover his young charge, whose
presence etiquette demanded no less imperatively. Dashed from his
height of splendid triumph, and exhausted by the fluency with which he
had dealt with the appalling situation, he sank heavily into the easy
chair, an embittered man.
He was quickly roused from his gloom by the stopping of a barouche
before the house. In it sat his august master, a splendid round figure
of a man, clad in the lightest-coloured tweeds Schweidnitz could boast,
and surmounted by the whitest of white bowlers. His large, broad,
square face ended in three well-moulded chins. In the middle of the
fine expanse of face (his was not a high forehead) was a bristling
imperial moustache, far fiercer than the baron's; above it rose a big,
thick nose. His eyes were a bright blue; and they twinkled in an
engaging fashion somewhat disappointing in a royal personage. Beside
him sat a slim, contrasting equerry.
The baron rushed forth, and after the manner of his caste, was abject
in his apologies for the absence of Prince Adalbert. . . . He had
taken every precaution. . . . All had been in vain. . . . The
infatuated unfortunate would steal away to the little she-devil-child.
"Ach, zo?" said the grand duke, who made a point of speaking English in
England; and he descended with earth-shaking majesty from the creaking
barouche.
"Ve vill go to zem," he said after testing the soil of Pyechurch with a
cautious foot to make sure that it was equal to his weight.
Public-domain text, read in full here on John Shaqi.
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