Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
After breakfast she acquainted Mrs. Cassidy with her intention of
leaving, giving as her reason the fact that that portion of the
city was too full of painful memories for her to remain in it. The
widow received the news with loud lamentations, which ended almost
in tears. As soon as she had overcome her surprise and commanded her
feelings, she besieged Viola with questions as to where she intended
going. The girl, who was not skilful at this sort of duel, found it
difficult to evade her hostess's vigilant determination to maintain
her surveillance. Viola was soon red and stammering under the widow's
persistent and unescapable queries, and her discomfort was not lessened
by the realization that Mrs. Cassidy had guessed her real reason for
leaving and had resented it.
It was a clear, soft morning, the air still and golden. In its brief
Indian summer the city seemed to stretch itself, and lie warm,
apathetic, and relaxed, basking in the mellowness of its autumnal
quiet. That part of it toward which Viola directed her course was
almost as old as the locality where she had passed her uneventful
girlhood. Boarding an electric car, she crossed the low basin of the
town, where originally the village of Yerba Buena skirted the cove
in straggling huts and tents. Here the business life of a metropolis
is compressed into an area covered by a few blocks. Women do their
shopping one street away from where men are making the money which
renders the shopping possible. The car swept Viola through the gay
panorama that Kearney Street presents on a sunny morning, out past
Portsmouth Square, with a glimpse of Chinese back balconies, where
lines of flowering plants, the dip of swaying lanterns, and here and
there the brilliant spot of color made by a woman or a child, bring to
the scene a whiff of the Orient.
Beyond, where the broken flank of Telegraph Hill rises gaunt and red
amid its clinging tenements, she alighted and continued her way on
foot. She made a detour round the forbidding steeps of the hill, past
narrow alleys where shawled figures slunk along lengths of sun-touched
wall, by old verandahed houses brooding under rusty cypress-trees, by
straight-fronted, plastered dwellings, the stucco streaked with dark
rain-stains like the traces of tears on a face too dejected to care
how it looked. Finally the street rose over a spur of the hill, then
dipped, sloping down to the hollow of North Beach.
There was a sudden widening of the horizon on every side. Marine
views broke on the eye through the spaces between high, cramped, flat
buildings, over the tops of decrepit cottages, in the breaks between
peeling, vine-draped walls. Vivid bits of sea were set in mosaic-like
clearness between the trunks of dark old trees in gardens that were
planted when the region was yet suburban. The end of the street's vista
was filled with its blue expanse, with the distant hills beyond--all
clear lights and shadows on this sun-steeped autumn morning.
Public-domain text, read in full here on John Shaqi.
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