Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
He was out and the door shut before Letitia could answer. As the
carriage rolled on she turned and through the window followed his
pursuing figure with eagerly interested eyes.
It was Viola. At the end of the block she turned into the florist's,
where she had agreed to come and spend the evening helping Miss Gladys
on some extra orders. She passed through the store into the room
beyond, and, donning her black apron, was soon busy. The two girls were
working and talking together when Gault stopped at the street door
and swept the flower-scented interior with a searching gaze. He had
done this at every shop on the block. Yet, though he went up and down,
hunting in every corner, in every darkened doorway where she might
possibly have sought shelter, she had disappeared as completely as if
the passing glimpse of her had been a vision.
Letitia had evidently made a mistake. Slowly through the rain Gault
walked home to his rooms.
It was two hours later when Viola started to leave the florist's. The
storm was raging with all the malignant intensity of driving rain and a
wind that lay in wait at corners and sprang upon the wayfarer. She made
part of her journey on the electric car, but the long climb up the hill
had to be accomplished on foot. About this high point the wind met few
obstacles, and swept by, shouting hoarsely in the joy of its freedom.
It played with Viola like a cat with a mouse--at one moment swept her
forward in a sail-like spread of skirt, at the next turned upon her,
buffeting her furiously back against the streaming walls, tearing at
her hat, driving the rain into her face, down her neck, up her sleeves.
It seized her umbrella and whisked it this way and that, while she held
its handle and helplessly followed its eccentric course. When half-way
up the hill she was forced to shut it, and then, angry with her for
thus terminating its sport, the wind concentrated its spiteful anger
upon her.
It blew steadily in her face, except at the moments when she crossed
an intersecting street. Then it seemed to blow from all points at
once, seizing her and shaking her, whirling her about, throwing her
against a gate or into the drenched, yielding leafage of a hedge, and
then creeping up behind her and beating against her with a force that
almost sent her on her face. Her clothes clung to her, saturated and
heavy, confining her limbs with their clammy hold. The water streamed
off her hat and oozed out of her shoes. Once she was forced to take
shelter on a door-step, under the jutting roof of a balcony. From this
she crept onward, clinging close to the walls, down which water ran in
wide rills, and where long strands of creepers struck her with their
wet leaves. Once in the cottage, she threw her clothes out of the
window on the balcony, and crept shivering to bed.
Public-domain text, read in full here on John Shaqi.
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