Hard-Pan: A Story of Bonanza FortunesBonner, Geraldine
General
Hard-Pan: A Story of Bonanza Fortunes
Bonner, Geraldine
Gold miners -- Fiction; San Francisco (Calif.) -- Social life and customs -- Fiction
The Mortimer Gaults, being fashionable folk, had broken up their
household and gone their several ways--Letitia first, with many trunks,
to make visits at hotels and country houses. Mrs. Gault, like other San
Francisco matrons, did not close her house, but made quick flights into
the country, which she sincerely hated, and then came back thankfully
to town, where she dwelt in comfort with two servants, and, when her
husband was not with her, ate meals of choice daintiness, which were
laid on a square of drawn-work on the end of the dining-room table.
John Gault had not been able to see Letitia before her departure, which
was not so strange, as she left shortly after the night at the opera.
In the one or two small gatherings which took place at the Mortimer
Gaults' before the family exodus, he had been unable to participate--at
least, that was what he wrote to Maud. She, it is needless to state,
knowing of that evening interview after the opera, had tried to elicit
from Letitia an account of what had taken place. In this, however, she
was unsuccessful. Letitia was at first stubbornly silent, then cross.
But she accepted an invitation to stay with the McCormicks at their
country place, the Hacienda del Pinos, in the Napa valley; and Maud
felt that her extraordinary and inexplicable sister was, for once in
her life, behaving like a rational human being.
Gault's reluctance to see Letitia had been the whim of a nature
harassed past bearing. He had gone from her that evening in frenzy with
her, himself, and a world where life was so unlivable and being alive
so remorseless a tragedy. The man who had never had a serious check in
his easy course from birth to middle age had now suddenly found himself
the central figure in one of those maddening dilemmas which blight or
make the lives of less fortunate individuals.
The time had come when the situation called for a determined step. But
what step he could not decide. What particular course of action would
end the whole matter most satisfactorily for himself was the question
that besieged him. He hardly gave a thought to Viola. He was the victim
of either a repulsively sordid plot, or else he was a man cruelly lured
by fate into a position from which it seemed impossible to extricate
himself without misery of one sort or another. At one moment he saw
himself as the gullible victim of a clever pair of adventurers, and
laughed fiercely at the scruples which prevented him from holding them
at their own valuation. At the next he was sickened at the manner in
which he was degrading himself and her by giving way to the meanest and
most dastardly suspicions.
Public-domain text, read in full here on John Shaqi.
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