Domestic fiction; Education -- Fiction; England -- Fiction; Political fiction; Social problems -- Fiction; Utilitarianism -- Fiction
‘Well, my dear,’ said Mrs. Gradgrind, ‘and I hope you are going on
satisfactorily to yourself. It was all your father’s doing. He set his
heart upon it. And he ought to know.’
‘I want to hear of you, mother; not of myself.’
‘You want to hear of me, my dear? That’s something new, I am sure, when
anybody wants to hear of me. Not at all well, Louisa. Very faint and
giddy.’
‘Are you in pain, dear mother?’
‘I think there’s a pain somewhere in the room,’ said Mrs. Gradgrind, ‘but
I couldn’t positively say that I have got it.’
After this strange speech, she lay silent for some time. Louisa, holding
her hand, could feel no pulse; but kissing it, could see a slight thin
thread of life in fluttering motion.
‘You very seldom see your sister,’ said Mrs. Gradgrind. ‘She grows like
you. I wish you would look at her. Sissy, bring her here.’
She was brought, and stood with her hand in her sister’s. Louisa had
observed her with her arm round Sissy’s neck, and she felt the difference
of this approach.
‘Do you see the likeness, Louisa?’
‘Yes, mother. I should think her like me. But—’
‘Eh! Yes, I always say so,’ Mrs. Gradgrind cried, with unexpected
quickness. ‘And that reminds me. I—I want to speak to you, my dear.
Sissy, my good girl, leave us alone a minute.’ Louisa had relinquished
the hand: had thought that her sister’s was a better and brighter face
than hers had ever been: had seen in it, not without a rising feeling of
resentment, even in that place and at that time, something of the
gentleness of the other face in the room; the sweet face with the
trusting eyes, made paler than watching and sympathy made it, by the rich
dark hair.
Left alone with her mother, Louisa saw her lying with an awful lull upon
her face, like one who was floating away upon some great water, all
resistance over, content to be carried down the stream. She put the
shadow of a hand to her lips again, and recalled her.
‘You were going to speak to me, mother.’
‘Eh? Yes, to be sure, my dear. You know your father is almost always
away now, and therefore I must write to him about it.’
‘About what, mother? Don’t be troubled. About what?’
‘You must remember, my dear, that whenever I have said anything, on any
subject, I have never heard the last of it: and consequently, that I have
long left off saying anything.’
‘I can hear you, mother.’ But, it was only by dint of bending down to
her ear, and at the same time attentively watching the lips as they
moved, that she could link such faint and broken sounds into any chain of
connexion.
‘You learnt a great deal, Louisa, and so did your brother. Ologies of
all kinds from morning to night. If there is any Ology left, of any
description, that has not been worn to rags in this house, all I can say
is, I hope I shall never hear its name.’
‘I can hear you, mother, when you have strength to go on.’ This, to keep
her from floating away.
Public-domain text, read in full here on John Shaqi.
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