Building -- Estimates; Factories -- Design and construction; Hardware
For mixing paints, the figures given in Table XIV represent the average
proportions of materials required for each 100 pounds of lead.
TABLE XIV
QUANTITIES OF MATERIALS
========+======+=========+===========+==========
Coat | Lead | Raw Oil |Japan Drier|Turpentine
|Pounds| Gallons | Gallon | Gallons
--------+------+---------+-----------+----------
Priming | 100 | 7 | ½ | --
Second | 100 | 4 | -- | 2
Third | 100 | 6½-7 | -- | ½
========+======+=========+===========+==========
The drier is omitted in the second and succeeding coats, unless the
work is to be dried very rapidly, as it is considered to be injurious
to the durability of the paint.
On outside work, boiled oil is generally used in about the proportion
of 1 gallon to 2 gallons of raw oil.
=105. Care in Painting.=—In painting woodwork, putty should not be
used until after the first coat of paint or varnish has been applied.
There are two reasons for this. In the first place, if putty is used
on dry wood, the wood is liable to absorb the oil from the putty and
leave it in a dry and crumbly condition. Then, also, the oil from the
putty soaking into the wood will stain the wood dark, and this stain
may be seen through varnish. For this latter reason, putty should be
put in cracks and holes with a putty knife and not with the fingers, as
otherwise the oil from the putty will get over the fingers and thus be
transferred to the woodwork, where it will show as a dark stain if the
wood is varnished.
Due care should also be taken in painting woodwork that has knots in
it, as otherwise the turpentine in the knot will be sure to discolor
the paint in course of time. To avoid this, the knots should be coated,
or _killed_, with a coat of shellac before the first coat of paint is
applied. The shellac prevents the turpentine in the knot from soaking
through and discoloring the paint.
=106. Cost of Painting.=—The cost of applying paint on general interior
and exterior work will average about twice the cost of the materials,
while for very plain work, done in one color, the cost may be taken at
about 1½ times that of the materials. For stippling, the cost will be
about the same as for two coats of paint. For varnishing, the cost of
labor will be about 1½ times the price of the varnish.
The following figures represent fair average prices, for various
classes of work, and have been adopted by the Builders’ Exchange of a
large eastern city:
COST PER
SQUARE YARD
INTERIOR WORK CENTS
Public-domain text, read in full here on John Shaqi.
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