American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Nathalie listened with eager attention to this narrative, told with a
frankness which our sympathy excited. Now and then she gave a convulsive
start, or checked a hysterical sob, and at last fairly burst into tears. I
was interested as well as she, but retained more calmness to observe how
moral beauty almost vainly struggled to appear through the insignificant
features of this admirable woman. Her little eyes, reddened with weeping;
her pinched-up nose, blooming at the point; her thin lips, probably
accustomed to sarcasm; her cheeks, with a leaden citron hue; her hair that
forked up in unmanageable curls—all combined to obscure the exquisite
expression of respect and sympathy, perhaps already of love, sparkling
from her kindled soul, that could just be made out by an attentive eye. At
length, however, she became for a moment perfectly beautiful, as, when the
young painter had finished his story, with an expression that showed how
bitterly he regretted his abandoned art, she took both his hands in hers,
and exclaimed, “No, _mon enfant_, you shall not be thus disappointed. Your
genius”—she already took for granted he had genius—“shall have an
opportunity for development. Your mother can not do what is necessary—she
has played her part. I will be a—second mother to you, in return for the
little affection you can bestow on me without ingratitude to her to whom
you owe your life.”
“My life has to be paid for twice,” said he, kissing her hand. Nathalie
could not help looking round proudly to me. It was so flattering to
receive the gallant attentions of so handsome a young man, that I think
she tried to forget how she had bought them.
In the exuberance of her hospitality, the little old maid invited both
Claude Richer and myself to spend some time in the large farm-house of her
brother-in-law. I declined, with a promise to be a frequent visitor; but
Claude, who was rather commanded than asked, could do nothing but accept.
I left them at the diligence office, and saw them walk away, the little
Nathalie affecting to support her feeble companion. For the honor of human
nature let me add, that the conductor said nothing about the fare. “It
would have been indelicate,” he said to me, “to remind Mlle. Nathalie of
her promise in the young man’s presence. I know her well; and she will pay
me at a future time. At any rate, I must show that there is a heart under
this waistcoat.” So saying, the conductor thumped his breast with simple
admiration of his own humanity, and went away, after recommending me to
the Café de Paris—indeed an excellent house.
Public-domain text, read in full here on John Shaqi.
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