Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
General
Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
So he departed, and Rembrandt shortly afterward received a second letter
to the following effect: “MASTER REMBRANDT—You have broken your
engagement, told a falsehood, wearied yourself to death, and lost the sale
of your picture—all by listening to the dictates of avarice. Let this
lesson be a warning to you in future.”
“So,” said the painter, looking round at his pupils, “one of you must have
played me this pretty trick. Well, well, I forgive it. You young varlets
do not know the value of a florin as I know it.”
Sometimes the students nailed small copper coins on the floor, for the
mischievous pleasure of seeing their master, who suffered much from
rheumatism in the back, stoop with pain and difficulty, and try in vain to
pick them up.
Rembrandt married an ignorant peasant who had served him as cook, thinking
this a more economical alliance than one with a person of refined mind and
habits. He and his wife usually dined on brown-bread, salt herrings, and
small-beer. He occasionally took portraits at a high price, and in this
way became acquainted with the Burgomaster Six, a man of enlarged mind and
unblemished character, who yet continued faithfully attached to the
avaricious painter. His friendship was sometimes put to a severe test by
such occurrences as the following:
Rembrandt remarked one day that the price of his engravings had fallen.
“You are insatiable,” said the burgomaster.
“Perhaps so. I can not help thirsting for gold.”
“You are a miser.”
“True; and I shall be one all my life.”
“’Tis really a pity,” remarked his friend, “that you will not be able
after death to act as your own treasurer, for whenever that event occurs,
all your works will rise to treble their present value.”
A bright idea struck Rembrandt. He returned home, went to bed, desired his
wife and his son Titus to scatter straw before the door, and give out,
first, that he was dangerously ill, and then dead—while the simulated
fever was to be of so dreadfully infectious a nature that none of the
neighbors were to be admitted near the sick-room. These instructions were
followed to the letter; and the disconsolate widow proclaimed that, in
order to procure money for her husband’s interment, she must sell all his
works, any property that he left not being available on so short a notice.
Public-domain text, read in full here on John Shaqi.
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