charmed me as effecting the exact union between sentiment and execution, which is the true and rare consummation of the Ideal in Art. But observe, while in these personages of the group are depicted the deeper and graver agencies implicated in the bright but terrible invention—observe how little the light epicures of the hour heed the scowl of the monk, or the restless gesture of Richard, or the troubled gleam in the eyes of the artisan—King Edward, handsome _poco curante_, delighted, in the surprise of a child, with a new toy; and Clarence, with his curious yet careless glance—all the while Caxton himself, calm, serene, untroubled, intent solely upon the manifestation of his discovery, and no doubt supremely indifferent whether the first proofs of it shall be dedicated to a Rivers or an Edward, a Richard or a Henry, Plantagenet or Tudor—’tis all the same to that comely, gentle-looking man. So is it ever with your Abstract Science! not a jot cares its passionless logic for the woe or weal of a generation or two. The stream, once emerged from its source, passes on into the Great Intellectual Sea, smiling over the wretch that it drowns, or under the keel of the ship which it serves as a slave. Now, when about to commence the present chapter on the Varieties of Life, this masterpiece of thoughtful art forced itself on my recollection, and illustrated what I designed to say. In the surface of every age, it is often that which but amuses, for the moment, the ordinary children of pleasant existence, the Edwards and the Clarences (be they kings and dukes, or simplest of simple subjects), which afterward towers out as the great serious epoch of the time. When we look back upon human records, how the eye settles upon WRITERS as the main landmarks of the past! We talk of the age of Augustus, of Elizabeth, of Louis XIV., of Anne, as the notable eras of the world. Why? Because it is their writers who have made them so. Intervals between one age of authors and another lie unnoticed, as the flats and common lands of uncultured history. And yet, strange to say, when these authors are living among us, they occupy a very small portion of our thoughts, and fill up but desultory interstices in the bitumen and tufa wherefrom we build up the Babylon of our lives! So it is, and perhaps so it should be, whether it pleases the conceit of penmen or not. Life is meant to be active; and books, though they give the action to future generations, administer but to the holiday of the present. And so, with this long preface, I turn suddenly from the Randals and the Egertons, and the Levys, Avenels, and Peschieras—from the plots and passions of practical life, and drop the reader suddenly into one of those obscure retreats wherein Thought weaves, from unnoticed moments, a new link to the chain that unites the ages.