Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
General
Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Such, very succinctly and inadequately expressed, was the system upon
which Norreys proceeded to regulate and perfect the great native powers of
his pupil; and though the reader may perhaps say that no system laid down
by another can either form genius or dictate to its results, yet probably
nine-tenths at least of those in whom we recognize the luminaries of our
race, have passed, unconsciously to themselves (for self-education is
rarely conscious of its phases), through each of these processes. And no
one who pauses to reflect will deny, that according to this theory,
illustrated by a man of vast experience, profound knowledge, and exquisite
taste, the struggles of genius would be infinitely lessened; its vision
cleared and strengthened, and the distance between effort and success
notably abridged.
Norreys, however, was far too deep a reasoner to fall into the error of
modern teachers, who suppose that education can dispense with labor. No
mind becomes muscular without rude and early exercise. Labor should be
strenuous, but in right directions. All that we can do for it is to save
the waste of time in blundering into needless toils.
The master had thus first employed his neophyte in arranging and compiling
materials for a great critical work in which Norreys himself was engaged.
In this stage of scholastic preparation, Leonard was necessarily led to
the acquisition of languages, for which he had great aptitude—the
foundations of a large and comprehensive erudition were solidly
constructed. He traced by the plowshare the walls of the destined city.
Habits of accuracy and of generalization became formed insensibly; and
that precious faculty which seizes, amidst accumulated materials, those
that serve the object for which they are explored—(that faculty which
quadruples all force, by concentrating it on one point)—once roused into
action, gave purpose to every toil and quickness to each perception. But
Norreys did not confine his pupil solely to the mute world of a library;
he introduced him to some of the first minds in arts, science, and
letters—and active life. “These,” said he, “are the living ideas of the
present, out of which books for the future will be written: study them;
and here, as in the volumes of the past, diligently amass and deliberately
compile.”
By degrees Norreys led on that young ardent mind from the selection of
ideas to their æsthetic analysis—from compilation to criticism; but
criticism severe, close, and logical—a reason for each word of praise or
of blame. Led in this stage of his career to examine into the laws of
beauty, a new light broke upon his mind; from amidst the masses of marble
he had piled around him, rose the vision of the statue.
Public-domain text, read in full here on John Shaqi.
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