Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
General
Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
By this time, weary and actually sore with the repeated violent collisions
I had undergone in sustaining my post, I was glad to make a bargain with
the man perched above me, who, for a bribe of a few pence, allowed me to
effect a footing in his front. I had scarcely accomplished this when the
church-clock in the distance rung out the quarters. The crowd, listening
for this, had been comparatively silent for the last few minutes, and the
note of the bell was acknowledged by a kind of shuddering deprecation for
silence, by the instant uncovering of innumerable heads, and the
involuntary direction of every eye toward the debtors’ door. As the fatal
hour at length pealed forth the door was slowly opened, and there came out
upon the scaffold, not the mournful death-procession which all were
awaiting with such intense interest, but its grim herald and precursor,
the crime-honored aristarch of kill-craft, the great stage-manager of the
law’s last scene, whose performances are so much relished by the mob—the
hangman, bearing the odious strand of new rope coiled upon his arm. He was
received with a low but universal hum of recognition from the vast
multitude now breathless with the exciting anticipation of what was so
soon to follow. With an apparent perfect unconsciousness of the presence
of a single spectator, he proceeded to mount to the cross-piece of the
gibbet, to which, with an air of professional dexterity, he deliberately
attached the loathsome cord, occasionally pausing and measuring with his
eye the distance to the level of the platform. During this operation he
was favored with a running fire of comments and counsels, garnished with
infernal jokes and sallies of insane humor, from the mob who stood
nearest. Having made the necessary preparations he withdrew for a few
minutes, amidst the mock cheers and congratulations of some kindred
spirits below. The awful pause which ensued was but of brief duration. Too
soon a group of dark figures slowly emerged from the open door-way, among
which I could discern the chaplain reading the burial-service, and then
the quivering criminal, his hands clasped in prayer, yet bound together in
front of his breast: he was supported by two assistants, and was already,
to all appearance, more than half dead with mortal terror. These
demonstrations of insupportable anguish on the part of the principal
performer were received with evident and audible dissatisfaction by a
large portion of the spectators of the drama. Derisive sneers on the want
of “pluck” manifested by the poor, horror-stricken wretch were expressed
in language which can not be repeated; and in many a female but unfeminine
face, hardened by embruting vice and callous to every feeling of humanity,
I read a contemptuous scorn of the timorous sufferer and a proud and
fiend-like consciousness that they themselves would have dared the dark
ordeal with less shrinking. The very boy mounted on the old man’s
Public-domain text, read in full here on John Shaqi.
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