Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
General
Harper's New Monthly Magazine, No. 22, March, 1852, Volume 4.
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The morning dawned—the blessed Christmas-morning! With it came my good and
dutiful, my real life-children. When they were all assembled round me, and
when, subdued and thoughtful beneath the tender and gracious associations
of the day, each in turn ministered, reverently and lovingly, to the old
mother’s need of body and of soul, my heart was melted within me. Blessed,
indeed, was I in a lot full to overflowing of all the good gifts which a
wise and merciful Maker could lavish upon his erring and craving creature.
I stood reproved. I felt humbled to think that I should ever for a moment
have indulged one idle or restless longing for the restoration of that
past which had done its appointed work, and out of which so gracious a
present had arisen. One idea impressed me strongly: I could not but feel
that had the craving of my soul been answered in reality, as my dream had
foreshadowed; and had the wise and beneficent order of nature been
disturbed and distorted from its just relations, how fearful would have
been the result! Here, in my green old age, I stood among a new
generation, honored for what I was, beloved for what I had been. What if,
at some mortal wish in some freak of nature, the form which I now bore
were forever to remain before the eyes of my children! Were such a thing
to befall, how would their souls ever be lifted upward to the
contemplation of that higher state of being into which it is my hope soon
to pass when the hand which guided me hither shall beckon me hence? At the
thought my heart was chastened. Never since that night have I indulged in
any one wish framed in opposition to nature’s laws. _Now_ I find my
dream-children in the present; and to the past I yield willingly all
things which are its own—among the rest, the Lost Ages.
BLIGHTED FLOWERS.
The facts of the following brief narrative, which are very few, and of but
melancholy interest, became known to me in the precise order in which they
are laid before the reader. They were forced upon my observation rather
than sought out by me; and they present, to my mind at least, a touching
picture of the bitter conflict industrious poverty is sometimes called
upon to wage with “the thousand natural shocks which flesh is heir to.”
Public-domain text, read in full here on John Shaqi.
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