At the New England Society's Dinner, Mr. WEBSTER made a most felicitous allusion to the _Mayflower_, à propos to a confectionary model of that vessel which graced the table: "There was," said he, "in ancient times a ship which carried Jason in his voyage for the acquisition of the Golden Fleece; there was a ship at the battle of Actium which made Augustus Cæsar master of the world; there have been famous ships which bore to victory a Drake, a Howe, a Nelson; there are ships which have carried our own Hull, Decatur, and Stewart in triumph. But what are they all, as to their chances of remembrance among men, to that little bark _Mayflower_? That Mayflower was and is a flower of perpetual blossom. It can stand the sultry blasts of Summer, resist the furious tempests of Autumn, and remain untouched by the gales and the frosts of Winter. It can defy all climates and all times; it will spread its petals over the whole world, and exhale a living odor and fragrance to the last syllable of recorded time!" Mr. STEPHENSON, of Charlestown, has lately completed a statue of great merit both in conception and execution. It represents a North American Indian who has just received a mortal wound from an arrow; he has fallen forward upon his right knee, the left leg being thrown out in advance. The right hand which has drawn the arrow from the wound, rests upon the ground, the arm with its little remaining strength preventing the entire fall of the body. The statue is wrought from a block of marble from a quarry just opened in Vermont, which is pronounced not inferior to the famous quarries of Carrara. The literalism of the Panorama has lately been invaded by an effort toward the Ideal. Pilgrim's Progress has been made the subject of an extensive work of this kind by two young artists of New York, Messrs. MAY and KYLE. They have met with great and well deserved success. Their work embodies the spirit of BUNYAN, and presents all the scenes of any interest in his famous dream. The seizing of the popular preference for panoramas for the purpose of converting it from a wondering curiosity at the reproduction of actual scenes, to the admiring interest awakened by an imaginative subject, was a happy instance of tact too rarely found in artists; and the eagerness with which the public welcomed the change is another evidence of the general advancement in taste to which we have before alluded.