Harper's New Monthly Magazine, No. IX.—February, 1851.—Vol. II.Various
General
Harper's New Monthly Magazine, No. IX.—February, 1851.—Vol. II.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Ayrshire, lashed with unsparing and terrible sarcasm and wit the vices
and superstitions of his age, and, unfortunately, fell a victim to the
social habits of the day, before his better judgment and nobler
principles had gained the moral ascendency over the burning passions of
his youth? Following out this view of the infirmities of men, we are
prepared to look with sad complacency on the rudeness and superstition
of Johnson--the madness and misery of poor Chatterton, who "perished in
his pride"--the gourmandizing of Pope--the sublime wailings of
disappointed ambition in Young--the baffled rage and insanity of
Swift--the misery of the exquisite Elia--the hallucinations of the
inspired Coleridge, whose whole life was a distempered dream--the bright
morning dream of Keats--the cruel disappointment and heart-breaking of
poor Haydon, when he stood in solitude among his great pictures, and saw
the whole world of London flocking to gaze on General Tom Thumb!--the
solitary pride of Wordsworth--the egotism of the Ettrick Shepherd--the
intolerance of Scott--the mirth and melancholy of Hood, who has given to
the world the most powerful and pathetic song that has sounded from the
poetic lyre in our day, illustrating the sad truth, that
"_Laughter_ to _sadness_ is so near allied,
But thin partitions do their bounds divide"--
in short, all the long and sorrowful catalogue of "mighty poets in their
misery dead"--that terrible death-roll, inscribed with "fears of the
brave and follies of the wise," and written within and without with
mourning, and lamentation, and woe.
And so of Robert Burns. From his earliest years, we learn, he was
subject to palpitation and nervous excitement. The victim of
hypochondria, with fitful glimpses or sunbursts, lighting up the waste
of life with ineffable beauty and love, to escape from its terrible
shadow, which haunted him through life, he, unfortunately, was driven to
take refuge from himself in the excitement and vivacity of the social
board, as Johnson fled from himself to the tavern dinner, to revel in
his astonishing powers of conversation, while Burke and Beauclerk
quailed under the eye of the critical dictator.
Public-domain text, read in full here on John Shaqi.
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