Harper's New Monthly Magazine, No. VII, December 1850, Vol. IIVarious
General
Harper's New Monthly Magazine, No. VII, December 1850, Vol. II
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Nothing, indeed, has tended to deceive and mystify the public mind more
than the arbitrary conjunction of names. The yoking together of men in
this manner has produced often a lamentable confusion as to their
respective intellects and characteristics. Sometimes a mediocrist and a
man of genius are thus coupled together; and what is lost by the one is
gained by the other, while the credit of the whole firm is essentially
impaired. Sometimes men of equal, though most dissimilar intellect, are,
in defiance of criticism, clashed into as awkward a pair as ever stood
up together on the floor of a country dancing-school. Sometimes, for
purposes of moral or critical condemnation, two of quite different
degrees of criminality are tied neck and heels together, as in the dread
undistinguishing "marriages of the Loire." Sometimes the conjunction of
unequal names is owing to the artifice of friends, who, by perpetually
naming one favorite author along with another of established fame, hope
to convince the unwary public that they are on a level. Sometimes they
are produced by the pride or ambition, or by the carelessness or
caprice, of the men or authors themselves. Sometimes they are the
deliberate result of a shallow, though pretentious criticism, which sees
and specifies resemblances, where, in reality, there are none.
Sometimes they spring from the purest accidents of common circumstances,
common cause, or common abode, as if a crow and a thrush must be kindred
because seated on one hedge. From these, and similar causes, have arisen
such combinations as Dryden and Pope, Voltaire and Rousseau, Cromwell
and Napoleon, Southey and Coleridge, Rogers and Campbell, Hunt and
Hazlitt, Hall and Foster, Paine and Cobbett, Byron and Shelley, or
Robespierre and Danton.
In the first histories of the French Revolution, the names of Marat,
Robespierre, and Danton occur continually together as a triumvirate of
terror, and the impression is left that the three were of one order,
each a curious compound of the maniac and the monster. They walk on,
linked in chains, to common execution, although it were as fair to tie
up John Ings, Judge Jeffreys, and Hercules Furens. A somewhat severer
discrimination has of late unloosed Marat from the other two, and
permitted Robespierre and Danton to walk in couples, simply for the
purpose of pointing more strongly the contrast between the strait-laced
demonism of the one, and the fierce and infuriated manhood of the other.
At least, it is for this purpose that we have ranked their names
together.
Public-domain text, read in full here on John Shaqi.
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