His person and his eloquence were in keeping with his mind and character. We figure him always after the pattern of Bethlehem Gabor, as Godwin describes him: his stature gigantic, his hair a dead black, a face in which sagacity and fury struggle for the mastery--a voice of thunder. His mere figure might have saved the utterance of his watchword, "We must put our enemies in fear." His face was itself a "Reign of Terror." His eloquence was not of the intellectual, nor of the rhetorical cast. It was not labored with care, nor moulded by art. It was the full, gushing utterance of a mind seeing the real merits of the case in a glare of vision, and announcing them in a tone of absolute assurance. He did not indulge in long arguments or elaborate declamations. His speeches were Cyclopean cries, at the sight of the truth breaking, like the sun, on his mind. Each speech was a peroration. His imagination was fertile, rugged, and grand. Terrible truth was sheathed in terrible figure. Each thought was twin-born with poetry--poetry of a peculiar and most revolutionary stamp. It leaped into light, like Minerva, armed with bristling imagery. Danton was a true poet, and some of his sentences are the strangest and most characteristic utterances amid all the wild eloquence the Revolution produced. His curses are of the streets, not of Paris, but of Pandemonium; his blasphemies were sublime as those heard in the trance of Sicilian seer, belched up from fallen giants through the smoke of Etna, or like those which made the "burning marl" and the "fiery gulf" quake and recoil in fear. Such an extraordinary being was Danton, resembling rather the Mammoths and Megatheriums of geology than modern productions of nature. There was no beauty about him why he should be desired, but there was the power and the terrible brilliance, the rapid rise and rapid subsidence of an Oriental tempest. Peace--the peace of a pyramid, calm-sitting and colossal, amid long desolations, and kindred forms of vast and coarse sublimity--be to his ashes! It is lamentable to contemplate the fate of such a man. Newly married, sobered into strength and wisdom, in the prime of life, and with mildness settling down upon his character, like moonlight on the rugged features of the Sphinx, he was snatched away. "One feels," says Scott of him, "as if the eagle had been brought down by a 'mousing owl.'" More melancholy still to find him dying "game," as it is commonly called--that is, without hope and without God in the world--caracolling and exulting, as he plunged into the waters of what he deemed the bottomless and the endless night; as if a spirit so strong as his could die--as if a spirit so stained as his could escape the judgment--the judgment of a God as just as he is merciful; but also--blessed be his name!--as merciful as he is just. [From Bentley's Miscellany.] RATTLIN THE REEFER'S DREAM. A TOUGH BUT TRUE YARN. BY ONE OF RATTLIN'S OLD SHIPMATES.