Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.Various
General
Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
I find it impossible to separate these two headings; for the habits of
the costermonger are not domestic. His busy life is passed in the
markets or the streets, and as his leisure is devoted to the beer-shop,
the dancing-room, or the theatre, we must look for his habits to his
demeanor at those places. Home has few attractions to a man whose life
is a street-life. Even those who are influenced by family ties and
affections, prefer to "home"--indeed that word is rarely mentioned among
them--the conversation, warmth, and merriment of the beer-shop, where
they can take their ease among their "mates." Excitement or amusement
are indispensable to uneducated men. Of beer-shops resorted to by
costermongers, and principally supported by them, it is computed that
there are 400 in London.
Those who meet first in the beer-shop talk over the state of trade and
of the markets, while the later comers enter at once into what may be
styled the serious business of the evening--amusement.
Business topics are discussed in a most peculiar style. One man takes
the pipe from his mouth and says, "Bill made a doogheno[6] hit this
morning." "Jem," says another, to a man just entering, "you'll stand a
top o' reeb?"[7] "On,"[8] answers Jem, "I've had a trosseno tol,[9] and
have been doing dab."[10] If any strangers are present, the conversation
is still further clothed in slang, so as to be unintelligible even to
the partially initiated. The evident puzzlement of any listener is of
course gratifying to the costermonger's vanity for he feels that he
possesses a knowledge peculiarly his own.
[Footnote 6: First rate.]
[Footnote 7: Pot of beer.]
[Footnote 8: No.]
[Footnote 9: Bad luck.]
[Footnote 10: Badly.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account