Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.Various
General
Harper's New Monthly Magazine, No. XI.—April, 1851—Vol. II.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The next morning I went out, determined to dissipate these harassing
reflections, and, above all things, resolved not to see Astræa. I
wandered about half the day, perfectly sincere in my intention of
avoiding the quarter of the town in which she lived. My mind was so much
absorbed, that I was quite unconscious of the route I had taken, until,
raising my eyes, I saw the dwarf standing before me on the steps of his
own door. I had dropped into the old track by the sheer force of habit,
and have no doubt that my tormentor put the worst construction on the
flush that shot into my face at seeing him. The same riotous glee was in
his eyes that I had noticed, for the first time, on the evening before;
but it now took something of a look of triumph that perplexed me more
than ever.
"Ha!" he exclaimed, with a chuckle that literally palpitated through his
whole body--"you are come at last. I have been looking out for you the
whole morning."
"Indeed!"
"How did you sleep last night?" he continued; "what sort of dreams had
you? I'll answer for it that no dancing dervish ever went through such
contortions!"
"What do you mean?" I demanded.
"Why, there!" he replied, "you turn red and white by turns. Are you
hit?--are you hit? Confess yourself, and I will comfort you."
"Come, come," said I, anxious not to provoke the explanation I panted
for, yet dreaded, "this _badinage_ is sorry work for the day-light.
You should keep it till the lamps are lighted!"
"Have at you, then," he returned, his features undergoing a comical
transition into affected gravity; "I will talk proverbs with you, and
look as gloomy as a mute at a funeral:" giving, at the same time, an
irresistible imitation of one of those ghastly, wire-drawn, drunken
faces. "Mercy upon us! what ominous tokens are in that doleful
countenance of yours! The candle gives out its warning-sheet for the
bespoken of the grave; the sea has its sights and sounds for the doomed
man who is to sup with the fishes; the cricket challenges death in the
hearth; the devil gives three knocks at the door when some miserable
wretch is passing through the mortal agony; and there are signs in your
face of a living torture, which any man galloping by may see. What does
it mean? Is the leaf only turned over by the wind, and will the next
blast whisk it back again? or are its fibres riven past recovery?"
Public-domain text, read in full here on John Shaqi.
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