Lord Byron's poems are the actual life-experience of a man whose birth and fortune enabled him to mix with the highest society, and whose character led him to select for his choice that portion of it which pursued pleasure as the main if not the sole object of existence. Under a thin disguise of name, country, and outward incident, they present us with the desires which actuated, the passions which agitated, and the characters which were the ideals of the fashionable men and women of the earlier part of this century. Limited and monotonous as they are in their essential nature, ringing perpetual changes upon one passion and one phase of passion, the brilliance of their diction, the voluptuous melody of their verse, the picturesque beauty of their scenery, well enough represent that life of the richer classes, which chases with outstretched arms all the Protean forms of pleasure, only to find the subtle essence escape as soon as grasped, leaving behind in its place weariness, disappointment, and joyless stagnation. The loftiest joys they paint are the thrillings of the sense, the raptures of a fine nervous organization; their pathos is the regret, and their wisdom the languor and the satiety of the jaded voluptuary. These form the staple, the woof of Lord Byron's poetry, and with it is enwoven all that which gives outward variety and incessant stimulating novelty to the pursuits of an Englishman of fashion. These pursuits are as numerous, as absorbing, and demand as much activity of a kind as those of the student or the man of business. Among them will be found those upon which the student and the man of business are employed, though in a different spirit, and with a different aim. Thus we frequently see among the votaries of pleasure men who are fond of literature, of art, of politics, of foreign travel, of all manly and active enterprise but all these will be pursued, not as duties to be done, in an earnest, hopeful, self-sacrificing spirit, "that scorns delights and lives laborious days," but for amusement, for immediate pleasure to be reaped, as a resource against ennui and vacuity, to which none but the weakest and most effeminate nature will succumb. This difference of object and of motive necessitates a difference in the value of the results. The soil, which is plowed superficially, and for a quick return, will bear but frail and fading flowers; the planter of oaks must toil in faith and patience, and sublime confidence in the future. And so, into whatever field the wide and restless energies of men like Lord Byron carry them, they bring home no treasures that will endure--no marble of which world-lasting statue or palace may be hewn or built--no iron, of which world-subduing machines may be wrought. Poems, pictures, history, science, the magnificence and loveliness of Nature, cities of old renown, adventures of desperate excitement, new manners, languages, and characters, supply them with an ever fresh flow of sensation and