Harper's New Monthly Magazine: No. XVI.—September, 1851—Vol. III.Various
History
Harper's New Monthly Magazine: No. XVI.—September, 1851—Vol. III.
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Wordsworth has said of himself, "The poet is a teacher. I wish to be
considered as a teacher, or as nothing." If we are asked wherein lay the
value of his teaching, we reply, that it lay mainly in the power that
was given him of unfolding the glory and the beauty of the material
world, and in bringing consciously before the minds of men the high
moral function that, belonged in the human economy to the imagination,
and in thereby redeeming the faculties of sense from the comparatively
low and servile office of ministering merely to the animal pleasures, or
what Mr. Carlyle has called "the beaver inventions." That beside, and in
connection with this, he has shown the possibility of combining a state
of vivid enjoyment, even of intense passion, with the activity of
thought, and the repose of contemplation. He has, moreover, done more
than any poet of his age to break down and obliterate the conventional
barriers that, in our disordered social state, divide rich and poor into
two hostile nations; and he has done this, not by bitter and passionate
declamations on the injustice and vices of the rich, and on the wrongs
and virtues of the poor, but by fixing his imagination on the elemental
feelings, which are the same in all classes, and drawing out the beauty
that lies in all that is truly natural in human life. Dirt, squalor,
disease, vice, and hard-heartedness, are not natural to any grade of
life; where they are found, they are man's work, not God's; and the
poet's business is not with the misery of man's making, but with the
escape from that misery revealed to those that have eyes to see, and
ears to hear--we mean, that no true poet will be merely a painter of
that which is low, deformed, essentially inhuman, as his ultimate and
highest aim, though, as means, he may, as the greatest poets have done,
use them to move and rouse the sleeping soul. This, we say, in answer to
those that asserted that Wordsworth was not a true painter of manners
and character from humble life: we say he was, for that he painted, as
minutely as served his aim, that which was essential to its occupations
and its general outward condition--that which it must be, if Christian
men are to look upon the inequalities of wealth and station as a
permanent element in society. And all this which he taught in his
writings, he taught equally by his life. And furthermore, he manifested
a deep sense of the sacredness of the gift of genius, and refused to
barter its free exercise for aught that the world could hold out to him,
either to terrify or to seduce; and he lived to prove, not only that the
free exercise of poetic genius is its own exceeding great reward,
bringing a rich harvest of joy and peace, and the sweet consciousness of
duty well discharged, and God's work done; but, what was quite as much
needed in our time, he showed that for the support and nourishment of
poetic inspiration, no stimulants of social vanity, vicious sensuality,
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