The great lion of Sceaux is its park, where the chateau, built by Colbert, and subsequently associated with persons of no less importance than the Duc du Maine and Madame de Montespan, was flourishing before the first revolution. Art has here been somewhat ungrateful to nature; the one has furnished the tallest of trees and the thickest of bosquets; but the other has clipped them with more than her usual want of taste, and through the latter, has cut avenues, ingeniously imitative of railway tunnels--of which the pastoral effect may be imagined. On Sundays and Thursdays, during the summer, crowds flock from Paris to the balls which are held in this park--where there is also a tolerable gathering of rustic simplicity from the country round. Then it is that all the colored lamps, which now by daylight look so dingy, are brilliantly lighted up; the dirty stucco statues gleam like alabaster; the seedy drapery becomes golden and gorgeous; the grimy decorations are festive and fairy-like; and the smoky-looking glass column in the centre glitters like an immense diamond--reflecting the surrounding scene with a thousand flattering and fantastic variations. But what about Robinson Crusoe? All in good time. Robinson is now something less than two miles off, if the information of our decorated friend may be relied upon; and perhaps the sooner we join him the better. Accordingly, with Sceaux behind us, and the prospect of dinner before us, we proceed gayly on foot through roads as rustic in appearance as the inevitable brick walls and unavoidable quack advertisements will allow them to be, and arrive at last at our journey's end--without meeting on our way with any incidents of travel more exciting than the sight of two countrymen and a windmill. Here, then, we are, at last, at Robinson. Robinson, then, is a place, and not a person? But what relation has this to De Foe's Robinson Crusoe? Simply this; that the spot is the most romantic--the most picturesque--and _was_ the most desolate within so short a distance of Paris; and it has been called "Robinson," as a tribute at once to these united charms, and to the merits of a work which is as popular in France as in its native country. The surname "Crusoe" the French throw aside, as they do every thing which they can either not pronounce, or not understand--refusing in particular to swallow any thing like a name which does not become the mouth, on the wise principle which leads every animal but the donkey to reject thistles.