The establishment at Dinan, over which Jeanne Sugon herself presides, being under repair, and not quite fit for the reception of visitors, we will go over the Sisters' house at Paris, which is conducted on exactly the same plan. We are ushered into a small parlor, scantily furnished, with some Scripture prints upon the walls. A Sister enters to us with such a bright look of cheerfulness as faces wear when hearts beneath them feel that they are beating to some purpose in the world. She accedes gladly to our desire, and at once leads us into another room of larger size, in which twenty or thirty old women are at this moment finishing their dinner; it being Friday, rice stands on the table in the place of meat. The Sister moves and speaks with the gentleness of a mother among creatures who are in, or are near to the state of second childhood. You see an old dame fumbling eagerly over her snuff-box lid. The poor creatures are not denied luxuries; for, whatever they can earn by their spinning is their own money, and they buy with it any indulgences they please; among which nothing is so highly prized or eagerly coveted as a pinch of snuff. In the dormitories on the first floor, some lie bed-ridden. Gentler still, if possible, is now the Sister's voice. The rooms throughout the house are airy, with large windows, and those inhabited by the Sisters are distinguished from the rest by no mark of indulgence or superiority. We descend now into the old men's department; and enter a warm room, with a stove in the centre. One old fellow has his feet upon a little foot-warmer, and thinly pipes out, that he is very comfortable now, for he is always warm. The chills of age, and the chills of the cold pavement remain together in his memory; but he is very comfortable now--very comfortable. An other decrepit man, with white hair and bowed back--who may have been proud, in his youth, of a rich voice for love-song, talks of music to the Sister; and, on being asked to sing, blazes out with joyous gestures, and strikes up a song of Béranger's in a cracked, shaggy voice, which sometimes--like a river given to flow under ground--is lost entirely, and then bubbles up again, quite thick with mud.