Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The first object that seizes upon our attention is a black square
frame-work, apparently suspended from the ceiling. Its ugly
perpendicular beams, and equally uncouth horizontal limbs would be just
the thing to hang the dead bodies of tortured victims in. We can not
help following up our first impression. The men here, who stand in
silence looking intently at us, all wear black masks. On the left there
is reared a structure of black wood reaching to within two or three feet
of the roof. It is built up in several stages, descending like broad
steps. Each of these broad steps contains a sieve made of closely woven
wire, which becomes finer as the steps get lower and lower. In this
machine we noticed iron axles for the wheels, but our attention was
directed to the rollers, which were of zinc. Thus the friction does not
induce sparks, the action being also guarded against external blows. At
present the machine is not in motion; and the men at work here observe
their usual silence and depressing gravity. We conjecture that the
machine, when put in motion, shakes and sifts the gunpowder in a slow
and most cautious manner, corresponding to the seriousness of the human
workers, and with an almost equal sense of the consequences of iron
mistaking for once the nature of copper and brass. "Put _on_ the house!"
says Mr. Ashbee, in the calm voice always used here, and nodding at the
same time to the head corning-man. A rumbling sound is heard--the wheels
begin to turn--the black sieves bestir themselves, moving from side to
side; the wheels turn faster--the sieves shake and shuffle faster. We
trust there is no mistake. They all get faster still. We do not wish
them to put themselves to any inconvenience on our account. The full
speed is laid on! The wheels whirl and buzz--iron teeth play into brass
teeth--copper winks at iron--the black sieves shake their infernal sides
into fury--the whole machine seems bent upon its own destruction--the
destruction of us all! Now--one small spark--and in an instant the whole
of this house, with all in it, would be instantly swept away! Nobody
seems to think of this. And see!--how the gunpowder rashes from side to
side of the sieves, and pours down from one stage to the other. We feel
sure that all this must be much faster than usual. We do not wish it.
Why should pride prevent our requesting that this horror should cease?
We hear, also, an extraordinary noise behind us. Turning hastily round,
we see the previously immovable black frame-work for the dead whirling
round and round in the air with frightful rapidity, while two men with
wooden shovels are shoveling up showers of gunpowder, as if to smother
and suffocate its madness. Nothing but shame--nothing but shame and an
anguish of self-command, prevents our instantly darting out of the
house--across the platform--and headlong into the river.
Public-domain text, read in full here on John Shaqi.
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