Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
The old gentleman is rusty to look at, but is reputed to have made good
thrift out of aristocratic marriage settlements and aristocratic wills,
and to be very rich. He is surrounded by a mysterious halo of family
confidences; of which he is known to be the silent depository. There are
noble Mausoleums rooted for centuries in retired glades of parks, among
the growing timber and the fern, which perhaps hold fewer noble secrets
than walk abroad among men, shut up in the breast of Mr. Tulkinghorn. He
is of what is called the old school--a phrase generally meaning any
school that seems never to have been young--and wears knee breeches tied
with ribbons, and gaiters or stockings. One peculiarity of his black
clothes, and of his black stockings, be they silk or worsted, is, that
they never shine. Mute, close, irresponsive to any glancing light, his
dress is like himself. He never converses, when not professionally
consulted. He is found sometimes, speechless but quite at home, at
corners of dinner-tables in great country houses, and near doors of
drawing-rooms, concerning which the fashionable intelligence is
eloquent: where every body knows him, and where half the Peerage stops
to say "How do you do, Mr. Tulkinghorn?" He receives these salutations
with gravity, and buries them along with the rest of his knowledge.
Sir Leicester Dedlock is with my Lady, and is happy to see Mr.
Tulkinghorn. There is an air of prescription about him which is always
agreeable to Sir Leicester; he receives it as a kind of tribute. He
likes Mr. Tulkinghorn's dress; there is a kind of tribute in that too.
It is eminently respectable, and likewise, in a general way,
retainer-like. It expresses, as it were, the steward of the legal
mysteries, the butler of the legal cellar of the Dedlocks.
Public-domain text, read in full here on John Shaqi.
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