Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
It was still a damp, leaden gray pipe, with two broad seams of clay
projecting from it, throughout its entire length. It was ragged too. On
these deficiencies my friend began to offer a few pungent remarks; when
the workman interrupted him by pointing toward an industrious woman, who
seemed to be in a desperate hurry; yet she was not at all excited. My
friend suggested that steam must be circulating in her nimble fingers,
instead of blood. She smiled at the pleasantry; and said meekly enough,
that it was custom. She was as clumsy as I should be when she began--but
long, long days of experience--there, sitting before that board, and
cutting incessantly those seams that curl so neatly off the rough
pipes, give that dexterity, and it is well, perhaps severely, paid for.
The work-woman wears a serious, dull face generally. It struck me, as I
watched the repetition of her movements, that in their dreadful monotony
there must be a deadening influence upon the mind and heart. I even
thought that she must find it a relief now and then to break a pipe, or
drop one of the glistening steel rods. First, she took up one of the
rough pipes, and with a sharp steel instrument, smoothed all the rough
clay about the bowl. Then she smoothed the stem with a flat
instrument--then she cut the mouthpiece even. Having thus rapidly
traveled over the moulder's work, she withdrew the fine steel rod from
the tube, blew down the pipe to assure herself that the air passed from
the bowl to the mouth-piece, and then carefully added it to a row,
placed upon a frame beside her. The finished pipe was hardly deposited
in its place before another was in her hands, and in rapid process
toward completion.
A roaring fire crackled in the grate, and the heat of the atmosphere was
oppressive. Above were more endless rows and galleries of pipes; waiting
to be baked, and in a fair way, I thought, of undergoing that process
where they lay. I could hear the dull, heavy sounds of the clay-beater's
weapon below, and in the rooms the incessant click of the closing
moulds. The workmen were proud to show their dexterity, as they well
might be. Our friend in the farther corner, as he talked pleasantly to
us on various subjects, still carelessly made his clay tadpoles; the
woman never paused from her rapid work when she exchanged occasional
sentences with a boy who stood near her; and the wife of the
manufacturer surveyed the busy scene with sparkling eyes.
Public-domain text, read in full here on John Shaqi.
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