Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: NoneVarious
General
Harper's New Monthly Magazine, No. XXIII.—April, 1852.—Vol. IV.: None
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
From this day the young artist became the friend of the poor widow,
whose prospects soon brightened. Through the influence of some of the
friends of her lost husband, she obtained a pension from government--a
merited but tardy reward! The two ladies lived near each other, and
spent their evenings together. Henry and Jules played and studied
together. Marie read aloud, while her mother and Mademoiselle d'Orbe
worked. Dr. Raymond sometimes shared in this pleasant intercourse. He
had loved the young artist from the day he had seen her renounce so much
to do a generous action; but, an orphan like herself, and with no
fortune but his profession, he feared to be rejected if he offered her
his hand. It was therefore Madame G---- who charged herself with
pleading his suit with the young artist.
Mademoiselle d'Orbe felt a lively gratitude toward the young doctor for
the care and solicitude he had shown during her illness, and for sending
her portrait to the Exposition. Thanks to him, she had become known;
commissions arrived in numbers, a brilliant future opened before her and
Jules. Madame G---- had, then, a favorable answer to give to her young
friend, who soon became the husband of the interesting artist whose
generous sacrifice had been the foundation of her happiness.
THE STOLEN BANK NOTES.
The newspapers of 1810 contain a few brief paragraphs--cold, bare, and
partial as a tombstone, relative to a singular, and, to my thinking,
instructive passage in the domestic annals of Great Britain, with which
I happened to be very intimately acquainted. The impression it produced
on me at the time was vivid and profound, and a couple of lines in a
Liverpool journal the other day, curtly announcing the death of a Madame
L'Estrange, recalled each incident as freshly to memory as if graven
there but yesterday; and moreover induced me to pen the following
narrative, in which, now that I can do so without the risk of giving
pain or offense to any one, I have given the whole affair, divested of
coloring, disguise, or concealment.
Public-domain text, read in full here on John Shaqi.
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