Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
We must get rid of another story of an elephant; like the last,
perfectly credible. Elephants have more sagacity than dogs, and of dogs
few tales that are current are doubtful. This is the tale of an elephant
in the Jardin des Plantes. A painter used to study from the animals in
the garden, and was minded once to paint the elephant. But of course he
must paint him in an attitude; and even the sagacity of an elephant
failed to understand that the artist wished him to keep his mouth open,
and hold up his trunk. The artist therefore got a little boy, and
intrusted to his care a bag of apples, which he was to throw into the
elephant's mouth one by one, obliging him in this way to keep his trunk
uplifted. "The apples," says Mr. Broderip, "were numerous, but the
painter was not a Landseer, and as he had not the faculty of seizing and
transferring character with Edwin's magical power and rapidity, the task
was tedious. By the master's directions, the boy occasionally deceived
the elephant by a simulated chuck, and thus eked out the supply.
Notwithstanding the just indignation of the balked expectant, his
_gourmandise_ checked his irritable impatience; and, keeping his eye on
the still well-filled bag, he bore the repeated disappointment,
crunching an apple, when it chanced to come, with apparent glee. At
length the last apple was thrown and crunched, the empty bag was laid
aside, and the elephant applied himself to his water-tank as if for the
purpose of washing down his repast. A few more touches would have
completed the picture, when an overwhelming _douche_ from his
well-adjusted trunk obliterated the design, and drenched the discomfited
painter. Having, by this practical application of retributive justice,
executed judgment on the instigator, the elephant, disdaining the boy,
whom he regarded as the mere instrument of wrong, marched proudly round
his inclosure, loudly trumpeting forth his triumph."
Public-domain text, read in full here on John Shaqi.
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