Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
It was a farmer's boy from the village. His message was soon told. A
poor man had been seized with sudden illness at the wayside
public-house, and the clergyman's presence was required immediately. He
lingered to tell Faith not to wait up for him, then rose without a
murmur, and prepared for his long dreary walk. A moment after he was
crossing the neatly-kept garden, where the hydrangeas showed like piles
of skulls in the pale moonshine, and the chestnut leaves were falling
thick and fast. Then out into the deep-rutted road, through miry lanes,
across stark scraps of common, and paths covered with fern and
marsh-mallow, till at last the glimmering candle in the hostelry window
came in sight, and he stood under the creaking signboard of the White
Horse. The inn was of the humblest description, and the room into which
he was shown very wretched indeed. The plaster had peeled off the walls
in great odd shapes, like the countries on a map; the shutters had as
many cracks as an ill-fitting dissecting puzzle; the flooring was damp
and broken, there was a tracery of spiders' webs about the
bed-furniture, and the only sounds were the groans of the occupant of
the bed, and the drowsy ticking of the death-watch. Thinking he was
asleep, the curate prepared to sit down and wait for him to wake of
himself, but the noise of a drinking-song, shouted by some laborers in
the bar, startled him from his uneasy slumber, and when Mr. F. next
looked up, the ghastly face of the sick man confronted his own--an eery
nightmare face, such as meets one in the outlines of Retzsch, or peering
out of the goblin scenes and witches' caves of Peter Breughel. But if
the face was terrible, the voice that asked him "Why he came!" and bade
him take away the light that glared and hurt his eyes, was more
unearthly still. But when he recognized him as the clergyman, his manner
altered. In a comparatively tranquil state he listened to the minister's
earnest warnings and blessed consolations; then suddenly the pain seized
him; he screamed and groaned awhile in wild delirium; a deep calm
followed. Raising himself in the bed, he drew a roll of torn and
discolored papers from under the pillow, and put it into the curate's
hand. His senses never returned. A few more throbbings and struggles--a
wandering of the eyes about the room, first to the ceiling, where the
death-watch ticked on drearily, then to the Arcadian scene on the
tattered patchwork counterpane--a clutching at the bed-clothes--a
shuddering--a film--and then--death!
The curate did not sleep that night until he had read the stranger's
diary to an end. It began thus:
Public-domain text, read in full here on John Shaqi.
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