Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IVVarious
General
Harper's New Monthly Magazine, No. XXIV, May 1852, Vol. IV
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Several pages were here torn from the unfortunate Darke's manuscript;
and in the succeeding ones the entries were scanty, and with long
intervals between each other. They detailed the sufferings of the writer
and his wife on their arrival in London; his repeated efforts to obtain
employment, and the difficulties he met with, owing to his uncle's
death, and his own inability to refer any one to the directors of the
mine at Rio. For more than a year (judging from the dates, by no means
regularly affixed) he appeared to have struggled on thus, until, when
his hopes were fast sinking, and his health rapidly giving way under
this succession of disappointments, he obtained a situation on a
recently-opened line of railway in the north, through the interest of an
old schoolfellow, whom he accidentally met, and who retained in manhood
schoolboy heart enough to show gratitude for many kindnesses in olden
days. The language was strangely impassioned and earnest in which he
expressed his joy at this change of fortune; and the full-hearted
thankfulness with which he described telling his wife the good news,
seemed to prove that affliction had exerted a calming and blessed
influence on his passion-tossed mind. But the clergyman could not help
noticing that the spirit pervading the latter part of the diary was
strangely different from that which animated the commencement, it being
written apparently with the firm conviction of an inevitable destiny
hanging over the writer; and this, like the shadow of an unseen cloud in
a fair picture, gave a sombre meaning to his self-communings.
After briefly mentioning the fact of his taking up his abode with Bertha
and one little child at the cottage provided by the company, and that he
had heard by chance that his enemy was still alive, he proceeded:
Public-domain text, read in full here on John Shaqi.
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