You will understand that your own party of Arabs is not of the genuine desert breed. They are dwellers in cities, not dwellers in tents. They are mongrel, like the population of a sea-port. They pass from Palestine to Egypt with caravans of produce, like coast-traders, and are not pure Bedoueen. But they do not dishonor their ancestry. When a true Bedoueen passes upon his solitary camel, and with a low-spoken salaam, looks abstractedly and incuriously upon the procession of great American Moguls, it is easy to see that his expression is the same as that of the men around you, but intensified by the desert. Burckhardt says that all Orientals, and especially the Arabs, are little sensible of the beauty of nature. But the Bedoueen is mild and peaceable. He seems to you a dreamy savage. There is a softness and languor, almost an effeminacy of impression, the seal of the sun's child. He does not eat flesh--or rarely. He loves the white camel with a passion. He fights for defense, or for necessity; and the children of the Shereefs, or descendants of the Prophet, are sent into the desert to be made heroes. They remain there eight or ten years, rarely visiting their families. The simple landscape of the desert is the symbol of the Bedoueen's character; and he has little knowledge of more than his eye beholds. In some of the interior provinces of China, there is no name for the ocean, and when in the time of Shekh Daheir, a party of Bedoueen came to Acre upon the sea, they asked what was that desert of water. A Bedoueen after a foray upon a caravan, discovered among his booty several bags of fine pearls. He thought them dourra, a kind of grain. But as they did not soften in boiling, he was about throwing them disdainfully away, when a Gaza trader offered him a red tarboosh in exchange, which he delightedly accepted. Without love of natural scenery, he listens forever to the fascinating romances of the poets, for beautiful expressions naturally clothe the simple and beautiful images he every where beholds. The palms, the fountains, the gazelles, the stars, and sun, and moon, the horse, and camel--these are the large illustration and suggestion of his poetry. Sitting around the evening fire and watching its flickering with moveless melancholy, his heart thrills at the prowess of El-Gundubah, although he shall never be a hero, and he rejoices when Kattalet-esh-Shugan says to Gundubah, "Come let us marry forthwith," although he shall never behold her beauty, nor tread the stately palaces. He loves the moon which shows him the way over the desert that the sun would not let him take by day, and the moon looking into his eyes, sees her own melancholy there. In the pauses of the story by the fire, while the sympathetic spirits of the desert sigh in the rustling wind, he says to his fellow, "Also in all true poems there should be palm-trees and running water."