While I was "setting" my pallet, my sitter amused himself by turning over some portfolios. He happened to select one for special notice, which contained several sketches that I had made in the streets of Paris. He turned over the first five views rapidly enough; but when he came to the sixth, I saw his face flush directly; and observed that he took the drawing out of the portfolio, carried it to the window, and remained silently absorbed in the contemplation of it for full five minutes. After that, he turned round to me; and asked, very anxiously, if I had any objection to part with that sketch. It was the least interesting drawing of the series--merely a view in one of the streets running by the backs of the houses in the Palais Royal. Some four or five of these houses were comprised in the view, which was of no particular use to me in any way; and which was too valueless, as a work of Art, for me to think of _selling_ it to my kind patron. I begged his acceptance of it, at once. He thanked me quite warmly; and then, seeing that I looked a little surprised at the odd selection he had made from my sketches, laughingly asked me if I could guess why he had been so anxious to become possessed of the view which I had given him? "Probably"--I answered--"there is some remarkable historical association connected with that street at the back of the Palais Royal, of which I am ignorant." "No"--said Mr. Faulkner--"at least, none that _I_ know of. The only association connected with the place in _my_ mind, is a purely personal association. Look at this house in your drawing--the house with the water-pipe running down it from top to bottom. I once passed a night there--a night I shall never forget to the day of my death. I have had some awkward traveling adventures in my time; but _that_ adventure--! Well, well! suppose we begin the sitting. I make but a bad return for your kindness in giving me the sketch, by thus wasting your time in mere talk." He had not long occupied the sitter's chair (looking pale and thoughtful), when he returned--involuntarily, as it seemed--to the subject of the house in the back street. Without, I hope, showing any undue curiosity, I contrived to let him see that I felt a deep interest in every thing he now said. After two or three preliminary hesitations, he at last, to my great joy, fairly started on the narrative of his adventure. In the interest of his subject he soon completely forgot that he was sitting for his portrait--the very expression that I wanted, came over his face--my picture proceeded toward completion, in the right direction, and to the best purpose. At every fresh touch, I felt more and more certain that I was now getting the better of my grand difficulty; and I enjoyed the additional gratification of having my work lightened by the recital of a true story, which possessed, in my estimation, all the excitement of the most exciting romance.